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Updates to the World and Help Files --Rumble
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Rumble
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18 changed files with 397 additions and 438 deletions
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doc/qedit_manual.pdf
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@ -16,7 +16,7 @@ Examples:
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> ^you^you doing^
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You tell Rumble, 'Hi there, how are you doing?'
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See also: ALIAS
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See also: \t(HELP ALIAS\t)
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#0
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%ASOUND% OASOUND MASOUND WASOUND ASOUND
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@ -270,10 +270,10 @@ about being a newbie here.
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#31
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@@
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The @@ character is used as a colorcode. If you see it, try toggling color to
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The @ character is used as a colorcode. If you see it, try toggling color to
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complete. If this still does not work you must not be able to view colors.
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Many people have asked why use the @@ as colorcodes while others use &.
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Many people have asked why use the @ as colorcodes while others use &.
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Welcor of TBA changed this because of trigedit. A builder who enters:
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if %actor.is_pc% && %arg% would only see: if %actor.is_pc% & %arg%. No
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big deal, but this could get confusing to newbies when you tell them AND
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@ -312,6 +312,7 @@ subtracted from your standard (naked) AC value, modified depending on where on
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the body you are wearing the armor. Some items have a special bonus, and
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subtract from the AC directly. Negative AC is better.
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See Also: ARMOR-SPELL
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#0
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ACRONYMS TERMINOLOGY VOCABULARY
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@ -698,14 +699,26 @@ Any areas that 'overlap' the specified range are shown in red.
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See Also: ZONES
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#0
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ARMOR
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ARMOR-SPELL
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Usage : cast 'armor' [target]
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Accumulative: No
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Duration : 24 Hours
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Level : Mage level 4, Cleric level 1.
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The Armor spell will improve your AC by 2.
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The Armor spell will improve your AC by 20 points or up to 10%.
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See also: AC
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#0
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GROUP-ARMOR
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Usage : cast 'group armor'
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Accumulative: No
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Duration : 24 Hours
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Level : Cleric level 9.
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The Group Armor spell will improve the AC of everyone in your group by 20
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points or up to 10%.
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See also: AC
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#0
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@ -1923,9 +1936,9 @@ Usage: prefedit
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If you have a color-capable terminal and wish to see useful color-coding
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of information, use PREFEDIT to set the level of coloring you see.
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The letters for the colors are to be preceded by a single @@ sign, where the
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actual code will be @@<letter>. Double @@@@ = single @@. All use of colorcodes
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@RMUST@n be terminated with @@n to restore normal color to prevent color bleeding.
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The letters for the colors are to be preceded by a single @ sign, where the
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actual code will be @<letter>. Double @@ = single @. All use of colorcodes
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@RMUST@n be terminated with @n to restore normal color to prevent color bleeding.
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|
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The colors are:
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n - normal
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|
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@ -1942,7 +1955,7 @@ Extra codes:
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@ll - blink@n @oo - bold@n
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@uu - underline@n @ee - reverse video@n
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See also: @@, ANSI, PROMPT, TOGGLE
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See also: @, ANSI, PROMPT, TOGGLE
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#0
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COLORSPRAY COLOR-SPRAY
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|
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@ -2744,21 +2757,21 @@ EMAILS ICQ AIM E-MAILS CONTACTS MSN AOL
|
|||
|
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Name Email ICQ # AIM MSN
|
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|
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Welcor welcor@@tbamud.com 18755607
|
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Rumble rumble@@tbamud.com 4822010 admwint wintersn
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Shamra shamra@@tbamud.com BlackdemonRahl
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Welcor welcor@tbamud.com 18755607
|
||||
Rumble rumble@tbamud.com 4822010 admwint wintersn
|
||||
Shamra shamra@tbamud.com BlackdemonRahl
|
||||
|
||||
Amber amber@@tbamud.com
|
||||
Detta detta@@tbamud.com
|
||||
Elaseth elaseth@@tbamud.com ParaVox3
|
||||
Elorien elorien@@tbamud.com
|
||||
Ferret ferret@@tbamud.com radiax01
|
||||
Fizban fizban@@tbamud.com Fizban1216 fizban1216
|
||||
Fyre fyre@@tbamud.com
|
||||
Heiach heiach@@tbamud.com heiach heiach
|
||||
Random random@@tbamud.com 219948345
|
||||
Relsqui relsqui@@tbamud.com 72136407 Relsqui penguinista
|
||||
Rhade rhade@@tbamud.com rhade_73
|
||||
Amber amber@tbamud.com
|
||||
Detta detta@tbamud.com
|
||||
Elaseth elaseth@tbamud.com ParaVox3
|
||||
Elorien elorien@tbamud.com
|
||||
Ferret ferret@tbamud.com radiax01
|
||||
Fizban fizban@tbamud.com Fizban1216 fizban1216
|
||||
Fyre fyre@tbamud.com
|
||||
Heiach heiach@tbamud.com heiach heiach
|
||||
Random random@tbamud.com 219948345
|
||||
Relsqui relsqui@tbamud.com 72136407 Relsqui penguinista
|
||||
Rhade rhade@tbamud.com rhade_73
|
||||
|
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#0
|
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EMOTES : EMOTIONS
|
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|
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@ -3441,7 +3454,7 @@ gdb > list
|
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GEMOTES GMOTES EMOTICONS
|
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|
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Usage: gemote <social>
|
||||
gemote @@ <message>
|
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gemote <message>
|
||||
|
||||
Allows you to perform socials or messages like emote over gossip for everyone
|
||||
on the gossip channel to see.
|
||||
|
|
@ -4190,6 +4203,13 @@ prevent a thief from picking the lock you must also set the PICKPROOF flag.
|
|||
Always create a unique name and description for your key and give hints in the
|
||||
description about where it should be used.
|
||||
|
||||
A good practice is to ensure keys load more than one instance since key storage
|
||||
in a house is no different from a character always idling with keys to hoard
|
||||
them. Single instance keys are a bad idea since if a player dies behind a door
|
||||
with the only key in their corpse they have no way to get back. Also, keys
|
||||
should always be the first dependent object loaded to a mob so they don't rely
|
||||
on other equipment loading to the mob prior to it.
|
||||
|
||||
See also: KEYS, ZONE-DESC, REDIT-EXIT
|
||||
#31
|
||||
KEYS DOORS GATES
|
||||
|
|
@ -4452,32 +4472,32 @@ Sebastian Hammer
|
|||
Prss. Maries Alle 15, 1
|
||||
1908 Frb. C.
|
||||
DENMARK
|
||||
(email quinn@@freja.diku.dk)
|
||||
(email quinn@freja.diku.dk)
|
||||
|
||||
Michael Seifert
|
||||
Nr. Soeg. 37C, 1, doer 3
|
||||
1370 Copenhagen K.
|
||||
DENMARK
|
||||
(email seifert@@freja.diku.dk)
|
||||
(email seifert@freja.diku.dk)
|
||||
|
||||
Hans Henrik St{rfeldt
|
||||
Langs} 19
|
||||
3500 V{rl|se
|
||||
DENMARK
|
||||
(email bombman@@freja.diku.dk)
|
||||
(email bombman@freja.diku.dk)
|
||||
|
||||
Tom Madsen
|
||||
R|de Mellemvej 94B, 64
|
||||
2300 Copenhagen S.
|
||||
DENMARK
|
||||
(email noop@@freja.diku.dk)
|
||||
(email noop@freja.diku.dk)
|
||||
|
||||
Katja Nyboe
|
||||
Kildeg}rdsvej 2
|
||||
2900 Hellerup
|
||||
31 62 82 84
|
||||
DENMARK
|
||||
(email katz@@freja.diku.dk)
|
||||
(email katz@freja.diku.dk)
|
||||
|
||||
|
||||
This document contains the rules by which you can use, alter or publish
|
||||
|
|
@ -7442,31 +7462,30 @@ RECRUITING ADVERTISING ADVERTISEMENTS ADVERTIZING ADVERTIZEMENTS
|
|||
For those wishing to help spread the word about TBA, thank you! The
|
||||
simplest way to help is to write a review at:@C
|
||||
http://mudconnector.com/mud-bin/adv_search.cgi?Mode=MUD&mud=The+Builder+Academy
|
||||
|
||||
@n Also please spread the word to your friends and other MUDs. We provide
|
||||
training to anyone who wants it and we even offer up TBA as a builder port for
|
||||
other MUDs.
|
||||
|
||||
To prevent harassment of builders trying to learn we strictly enforce a no
|
||||
advertising policy. The one exception is that you may post to the advertising
|
||||
board in room 88. There are far better places to recruit builders such as the
|
||||
mudconnector. AGAIN: NO ADVERTISING FOR MUDs IS ALLOWED ON TBA. This includes
|
||||
all channels including tells. You may set your MUD addy in your title.
|
||||
advertising policy. The only exception is that you may post to the advertising
|
||||
board in room 88 and the advertising section in the forums. There are far
|
||||
better places to recruit builders such as TMC.
|
||||
|
||||
For Implementors searching for help to create their MUDs. The staff of TBA
|
||||
is flattered, but we have plenty of builders and development to keep us busy
|
||||
for years. If you want to recruit, there is a board located in room 88 for
|
||||
you to post your advertisements. If anyone is asked to work on another MUD
|
||||
they should notify the staff immediately. If you are staff from another MUD
|
||||
here to evaluate a builders work before hiring them please contact any staff
|
||||
member. We will vouch for good builders that have crossed our threshold and
|
||||
tell you our honest feelings about the abilities of each.
|
||||
for years. If you are staff from another MUD here to evaluate a builders work
|
||||
before hiring them please contact any staff member. We will vouch for good
|
||||
builders that have crossed our threshold and tell you our honest feelings
|
||||
about the abilities of each.
|
||||
|
||||
The harsh truth is that good MUDs do not need to advertise and as a minimum
|
||||
will usually require new builders to complete a zone or equivalent proof that
|
||||
you are a good builder. If someone says they just started a MUD and need good
|
||||
builders be warned most MUDs fail and there is a good chance you will lose
|
||||
work. It happens to all builders eventually. Never build on a MUD unless they
|
||||
make backups and will give you a copy of your work whenever you request it.
|
||||
The harsh truth is that most decent MUDs have been around for a while and do
|
||||
not need to advertise. They also usually require new builders to complete a
|
||||
zone or provide equivalent proof that you are a good builder. If someone says
|
||||
they just started a MUD and need good builders be warned most MUDs fail and
|
||||
there is a good chance you will lose your work. It happens to all builders
|
||||
eventually. Make sure whatever MUD you build for does regular backups and ask
|
||||
if they will provide you a copy of your finished work.
|
||||
|
||||
See also: TMC, TBA-ADVERTISING
|
||||
#0
|
||||
|
|
@ -8381,7 +8400,7 @@ by teachers to send text to builders while in OLC. Combined with the snoop
|
|||
command this allows a teacher to see and tell builders what to do. Here is a
|
||||
little shortcut alias I use.
|
||||
|
||||
alias sa send alambil @M@@MRumble sends you:@n@@n $*
|
||||
alias sa send alambil @M@MRumble sends you:@n@n $*
|
||||
|
||||
With this I just type: sa <message>. This will use color to catch his attention
|
||||
and will list my name since send does not automatically show who the send is
|
||||
|
|
@ -8397,7 +8416,7 @@ SENSE-LIFE DETECT-LIFE
|
|||
Usage : cast 'sense life'
|
||||
Accumulative: Yes (Duration)
|
||||
Duration : Level hours.
|
||||
Level : Cleric level 5, Mage level 17.
|
||||
Level : Cleric level 18.
|
||||
|
||||
Allows the caster to sense the presence of a player or monster in the
|
||||
room which is hiding. The true identity will remain hidden however.
|
||||
|
|
@ -9209,7 +9228,7 @@ caster is greater than 18). Maximum strength is 18/100.
|
|||
STYLISTICS ELASETH STYLE
|
||||
|
||||
@nunpublished work © 2000 Elizabeth Hoefling Last Modified: Feb 19th, 2004
|
||||
@celaseth@@tbamud.com@n
|
||||
@celaseth@tbamud.com@n
|
||||
|
||||
@cDisclaimer@n: The opinions herein belong solely to Elizabeth Hoefling. Some
|
||||
games look for different things when building, but overall any zone made by
|
||||
|
|
@ -9731,77 +9750,30 @@ Mud Created: 2000
|
|||
The Builder Academy
|
||||
Code Base: [tbaMUD] the latest version
|
||||
Site: tbamud.com 9091 [195.234.11.64]
|
||||
Admin Email: rumble@@tbamud.com
|
||||
Admin Email: rumble@tbamud.com
|
||||
Theme: Teaching Builders and tbaMUD Codebase Development
|
||||
http://www.tbamud.com/
|
||||
telnet://tbamud.com:9091
|
||||
|
||||
Since 2000 The Builder Academy has been training new builders and developing
|
||||
the CircleMUD codebase, Oasis OLC, and trigedit. After years of stock
|
||||
CircleMUD stagnation TBA offered to take over stock CircleMUD development
|
||||
several times. TBA unofficially released CircleMUD 3.5 in 2006 and later
|
||||
released the codebase under the name tbaMUD. TbaMUD is holding true to the
|
||||
original CircleMUD vision with a few additions. The largest difference is the
|
||||
inclusion of Oasis OLC, trigedit, in-depth tutorials, help files, and examples.
|
||||
TBA will continue development and is always open to feedback and
|
||||
recommendations from the MUDding community. TBA is foremost a MUDding resource
|
||||
with the goal of improving the MUDding community.
|
||||
The Builder Acamady (TBA) was created in October of 2000 on the MUD Cruel World. It began with a combination of my own MUDding experience and the work of numerous others from the MUDding community into an extensive tutorial zone, help files, and examples.
|
||||
|
||||
We are happy to announce the release of the tbaMUD codebase
|
||||
formerly known as CircleMUD. If you are interested in a mature
|
||||
and stable codebase with dedicated staff and support please check
|
||||
us out.
|
||||
TBA now has two main missions. It originally was meant to be a training MUD open to anyone willing to learn or teach how to create your own text-based World. 1,000's of builder's have gone through our training and many MUDs require new builders to complete training at TBA before they can apply to their MUD. TBA's other mission is the development of the codebase formerly known as CircleMUD. Due to CircleMUD's stagnation TBA staff decided to release our codebase under the name tbaMUD and we have been updating it tirelessly for over 10 years.
|
||||
|
||||
Download here: http://tbamud.com/
|
||||
TBA is a low stress, no deadline, training environment where anyone with motivation can work at their own pace to learn as much or as little as they wish. Numerous people are available to answer questions and give advice.
|
||||
|
||||
The tbaMUD vision:
|
||||
TbaMUD's vision is to provide the MUDding community a stable and
|
||||
functional codebase that includes an in-depth World and help files
|
||||
that makes it ready to be molded into a custom MUD by its coders and
|
||||
builders. We also provide multiple resources to allow for feedback,
|
||||
contribution, and the sharing of ideas within the MUDding community
|
||||
to ensure constant development and improvements.
|
||||
TbaMUD is highly developed from the programming side, but highly
|
||||
UNdeveloped on the game-playing side. So, if you're looking for a
|
||||
huge MUD with billions of spells, skills, classes, and races, tbaMUD
|
||||
will disappoint you. TbaMUD still has only the 4 original Diku
|
||||
classes, the original spells, and the original skills. On the other
|
||||
hand, if you're looking for a highly stable, developed, organized,
|
||||
and well documented "blank slate" MUD on which you can put your OWN
|
||||
ideas for spells, skills, and classes, then tbaMUD is what what you
|
||||
are looking for.
|
||||
1000's of builders served and counting.
|
||||
|
||||
TBA's Vision:
|
||||
The most challenging aspect of running a mud is finding good
|
||||
builders. You will hear this from the admin of every MUD that has
|
||||
ever been. In the past it has always been up to each individual MUD
|
||||
to find and attempt to train their own builders. This works, but I
|
||||
think the MUDding community can come up with something better. That
|
||||
is why I created The Builder Academy.
|
||||
TBA has been open to anyone interested in learning or teaching how
|
||||
to build using Oasis OLC with dg scripts since 2000. TBA is now being
|
||||
used to develop the tbaMUD codebase (formerly known as CircleMUD).
|
||||
TBA has trained thousands of builders and has an extensive
|
||||
tutorial and help file system. No pressure, no deadline, just come
|
||||
learn, teach, or help develop tbaMUD. Give back to the community we
|
||||
have all taken so much from. TBA is a MUDding resource. Please take
|
||||
advantage of it so we can improve all of the MUDding community.
|
||||
TBA is a low stress, no deadline, training environment. Where
|
||||
anyone with motivation can work at their own pace to learn as much or
|
||||
as little as they wish. Numerous people are available to answer
|
||||
questions and give advice. 1000's of builders served and counting.
|
||||
TBA can even be used by other MUDs as a builder's port. Just send
|
||||
us your newbie builders. We will teach them and then you can have
|
||||
them back with the zones they build.
|
||||
The most challenging aspect of running a MUD is finding good builders. You will hear this from the admin of every MUD that has ever been. In the past it has always been up to each individual MUD to find and usually train their own builders. This works, but I think the MUDing community can come up with something better. That is why we created The Builder's Academy. No pressure, no deadline, just come and learn or help teach. Give something back to the community we have all taken so much from. TBA is a MUDing community resource, please submit any lessons learned or building tips and tricks so we can improve our codebase and training.
|
||||
|
||||
We are always open to anyone willing to learn, teach, or help
|
||||
develop tbaMUD.
|
||||
__________________
|
||||
Rumble
|
||||
TBA can also be used by other MUDs as a builder's port. Just send us your newbie builders. We will teach them and then you can have them back with the zones they built.
|
||||
|
||||
We are always open to anyone willing to learn or help teach so we can continue to improve the tbaMUD codebase.
|
||||
|
||||
- Rumble
|
||||
The Builder Academy
|
||||
tbamud.com 9091
|
||||
http://tbamud.com
|
||||
rumble@@tbamud.com
|
||||
rumble@tbamud.com
|
||||
#0
|
||||
TBAMAPS TBA-MAPS
|
||||
|
||||
|
|
@ -9826,38 +9798,23 @@ TBAMUD PROJECT BACKGROUND STORY HISTORY INTRODUCTION ACADEMY COMMUNITY OVERVIEW
|
|||
TBA stands for The Builder Academy.
|
||||
@RGOTO 3@n to enter the Builder Academy tutorial.
|
||||
|
||||
TBA is a low stress, no deadline, training environment. Where anyone with
|
||||
motivation can work at their own pace to learn as much or as little as they
|
||||
wish. Numerous people are available to answer questions and give advice.
|
||||
The Builder Acamady (TBA) was created in October of 2000 on the MUD Cruel World. It began with a combination of my own MUDding experience and the work of numerous others from the MUDding community into an extensive tutorial zone, help files, and examples.
|
||||
|
||||
TBA now has two main missions. It originally was meant to be a training MUD open to anyone willing to learn or teach how to create your own text-based World. 1,000's of builder's have gone through our training and many MUDs require new builders to complete training at TBA before they can apply to their MUD. TBA's other mission is the development of the codebase formerly known as CircleMUD. Due to CircleMUD's stagnation TBA staff decided to release our codebase under the name tbaMUD and we have been updating it tirelessly for over 10 years.
|
||||
|
||||
TBA is a low stress, no deadline, training environment where anyone with motivation can work at their own pace to learn as much or as little as they wish. Numerous people are available to answer questions and give advice.
|
||||
|
||||
1000's of builders served and counting.
|
||||
|
||||
The tbaMUD vision:
|
||||
TbaMUD's vision is to provide the MUDding community a stable and functional
|
||||
codebase that includes an in-depth World and help files that makes it ready to
|
||||
be molded into a custom MUD by its coders and builders. We also provide
|
||||
multiple resources to allow for feedback, contribution, and the sharing of
|
||||
ideas within the MUDding community to ensure constant development and
|
||||
improvements.
|
||||
TbaMUD is highly developed from the programming side, but highly UNdeveloped
|
||||
on the game-playing side. So, if you're looking for a huge MUD with billions of
|
||||
spells, skills, classes, and races, tbaMUD will disappoint you. TbaMUD still
|
||||
has only the 4 original Diku classes, the original spells, and the original
|
||||
skills. On the other hand, if you're looking for a highly stable, developed,
|
||||
organized, and well documented "blank slate" MUD on which you can put your OWN
|
||||
ideas for spells, skills, and classes, then tbaMUD is what what you are looking
|
||||
for.
|
||||
The most challenging aspect of running a MUD is finding good builders. You will hear this from the admin of every MUD that has ever been. In the past it has always been up to each individual MUD to find and usually train their own builders. This works, but I think the MUDing community can come up with something better. That is why we created The Builder's Academy. No pressure, no deadline, just come and learn or help teach. Give something back to the community we have all taken so much from. TBA is a MUDing community resource, please submit any lessons learned or building tips and tricks so we can improve our codebase and training.
|
||||
|
||||
TBA was created in 2000 on Cruel World which was being run by Zemial and Welcor.
|
||||
I began combining my own experience with the work of others into an extensive
|
||||
tutorial zone, help files, and examples. Welcor and I ended up separating TBA
|
||||
from Cruel World to further enhance our training of new builders. Welcor has
|
||||
taken over the development of Trigedit and has contributed extensively to what
|
||||
has now evolved into the tbaMUD release.
|
||||
TBA can also be used by other MUDs as a builder's port. Just send us your newbie builders. We will teach them and then you can have them back with the zones they built.
|
||||
|
||||
After offering several times to take over CircleMUD development TBA released
|
||||
CircleMUD 3.5 and later changed the codebase name to tbaMUD. TBA now has many
|
||||
purposes including: Developing trigedit, OLC, the tbaMUD codebase, and all the
|
||||
zones.
|
||||
We are always open to anyone willing to learn or help teach so we can continue to improve the tbaMUD codebase.
|
||||
|
||||
- Rumble
|
||||
The Builder Academy
|
||||
tbamud.com 9091
|
||||
|
||||
See also: NEWBIE
|
||||
#0
|
||||
|
|
@ -12517,13 +12474,13 @@ WIZNET ; WIZTALK WIZTELL WIZCHAT WIZLINE SEMICOLON IMMCHAT
|
|||
|
||||
The immortal communication channel which is the only channel visible in OLC.
|
||||
|
||||
Usage: wiznet [ #<level> ] [ <text> | *<emotetext> | @@ ]
|
||||
Usage: wiznet [ #<level> ] [ <text> | *<emotetext> | @ ]
|
||||
|
||||
Examples:
|
||||
|
||||
>wiznet <text> - just sends text.
|
||||
>; <text> - ; is short for wiznet.
|
||||
>; @@ - shows all gods that are on and visible to you.
|
||||
>; @ - shows all gods that are on and visible to you.
|
||||
- also shows if the gods who are visible to you are writing.
|
||||
>;#<level> <text> - sends text to everyone <level> and above.
|
||||
- ;#2 only God and above will see this.
|
||||
|
|
@ -13077,7 +13034,7 @@ typos, ideas, or submissions to:
|
|||
Rumble
|
||||
The Builder Academy
|
||||
tbamud.com 9091
|
||||
rumble@@tbamud.com
|
||||
rumble@tbamud.com
|
||||
|
||||
This is a listing of the current areas available:
|
||||
|
||||
|
|
|
|||
|
|
@ -293,7 +293,7 @@ a jar of blue waters~
|
|||
An empty looking jar lays here.~
|
||||
~
|
||||
10 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 -1 -1 -1
|
||||
12 51 -1 -1
|
||||
4 180 20 0 0
|
||||
#10633
|
||||
bright yellow gel jar~
|
||||
|
|
@ -301,7 +301,7 @@ a jar containing bright yellow gel~
|
|||
A jar glowing in bright yellow sits here.~
|
||||
~
|
||||
10 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 -1 -1 -1
|
||||
12 44 -1 -1
|
||||
5 160 16 0 0
|
||||
#10634
|
||||
cherry tube~
|
||||
|
|
@ -349,7 +349,7 @@ a null gravity potion~
|
|||
A small jar is here floating in the middle of the room.~
|
||||
~
|
||||
10 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 -1 -1 -1
|
||||
12 53 -1 -1
|
||||
1 500 50 0 0
|
||||
#10640
|
||||
banks~
|
||||
|
|
@ -360,11 +360,11 @@ A vault for collection and deposits is here.~
|
|||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
#10641
|
||||
Dagger~
|
||||
an assasins dagger~
|
||||
assassins dagger~
|
||||
an assassins dagger~
|
||||
A long slender dagger is lying here~
|
||||
~
|
||||
5 n 0 0 0 an 0 0 0 0 0 0 0
|
||||
5 4 4 14
|
||||
5 4 4 11
|
||||
1 100 10 0 0
|
||||
$~
|
||||
|
|
|
|||
|
|
@ -25,7 +25,7 @@ O-O-O-O-O-O ^ O O-O-O O O ^
|
|||
~
|
||||
16 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 1 0 0
|
||||
1 1 0 0 0
|
||||
#23801
|
||||
ring~
|
||||
a ruby colored ring~
|
||||
|
|
@ -33,7 +33,7 @@ A small ruby covered ring is lying here.~
|
|||
~
|
||||
9 gp 0 0 0 ab 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
2 1000 0 0
|
||||
2 1000 0 0 0
|
||||
A
|
||||
4 2
|
||||
A
|
||||
|
|
@ -47,7 +47,7 @@ A very colorfull wand is lying here.~
|
|||
~
|
||||
3 gklop 0 0 0 ao 0 0 0 0 0 0 0
|
||||
12 4 4 24
|
||||
2 500 0 0
|
||||
2 500 0 0 0
|
||||
A
|
||||
12 30
|
||||
A
|
||||
|
|
@ -61,7 +61,7 @@ A emerald covered bow lies here.~
|
|||
~
|
||||
5 0 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 5 5 12
|
||||
14 1000 0 0
|
||||
14 1000 0 0 0
|
||||
A
|
||||
2 -1
|
||||
A
|
||||
|
|
@ -75,7 +75,7 @@ A large portal looking cloak is lying here.~
|
|||
~
|
||||
9 0 0 0 0 ak 0 0 0 0 0 0 0
|
||||
2 0 0 0
|
||||
10 10 0 0
|
||||
10 10 0 0 0
|
||||
A
|
||||
4 2
|
||||
A
|
||||
|
|
@ -89,7 +89,7 @@ A bag shimmering with dark power is lying here.~
|
|||
~
|
||||
15 j 0 0 0 a 0 0 0 0 0 0 0
|
||||
1000 1 -1 0
|
||||
1 1000 0 0
|
||||
1 1000 0 0 0
|
||||
#23806
|
||||
ring~
|
||||
a wedding ring~
|
||||
|
|
@ -97,7 +97,7 @@ A small diamond wedding ring lies here.~
|
|||
~
|
||||
9 0 0 0 0 ab 0 0 0 0 0 0 0
|
||||
5 0 0 0
|
||||
1 1000 0 0
|
||||
1 1000 0 0 0
|
||||
A
|
||||
6 2
|
||||
A
|
||||
|
|
@ -111,7 +111,7 @@ A set of boots with a wing emblem attached to the heel is lying here.~
|
|||
~
|
||||
9 0 0 0 0 ag 0 0 0 0 0 0 0
|
||||
1 0 0 0
|
||||
9 600 0 0
|
||||
9 600 0 0 0
|
||||
A
|
||||
2 2
|
||||
A
|
||||
|
|
@ -125,7 +125,7 @@ A large sword made from the nose of a swordfish lies here.~
|
|||
~
|
||||
5 0 0 0 0 an 0 0 0 0 0 0 0
|
||||
5 5 10 11
|
||||
20 1000 0 0
|
||||
20 1000 0 0 0
|
||||
A
|
||||
14 -20
|
||||
A
|
||||
|
|
@ -137,7 +137,7 @@ A small skull which seems to be of a very small human.~
|
|||
~
|
||||
15 deh 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
#23838
|
||||
light potion~
|
||||
a light potion~
|
||||
|
|
@ -145,7 +145,7 @@ A small light potion lies here.~
|
|||
~
|
||||
10 a 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 -1 -1 -1
|
||||
2 500 0 0
|
||||
2 500 0 0 0
|
||||
#23840
|
||||
torch~
|
||||
a light torch~
|
||||
|
|
@ -153,24 +153,24 @@ A small torch sputters on the wall casting a flickering light.~
|
|||
~
|
||||
1 a 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
E
|
||||
stone~
|
||||
Upon further inspection you notice that the torch is pullable.
|
||||
~
|
||||
0 0 0 0 0
|
||||
E
|
||||
torch~
|
||||
A small light torch is here sticking out of the wall surrounded by loose
|
||||
stones.
|
||||
~
|
||||
E
|
||||
stone~
|
||||
Upon further inspection you notice that the torch is pullable.
|
||||
~
|
||||
#23841
|
||||
necklace~
|
||||
bone necklace~
|
||||
a bone necklace~
|
||||
A necklace made of bones lies here.~
|
||||
~
|
||||
9 djn 0 0 0 ac 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
10 100 0 0
|
||||
10 100 0 0 0
|
||||
E
|
||||
necklace~
|
||||
As you look at this necklace you see that it is made of small pieces of bone
|
||||
|
|
@ -189,7 +189,7 @@ A large box stands upright here.~
|
|||
~
|
||||
12 a 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
T 23843
|
||||
E
|
||||
box~
|
||||
|
|
@ -202,7 +202,7 @@ A massive pile of coins lie here.~
|
|||
~
|
||||
20 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
1000 500 500 30
|
||||
1 1 0 0
|
||||
1 1 0 0 0
|
||||
#23845
|
||||
boots~
|
||||
some crystal boots~
|
||||
|
|
@ -210,7 +210,7 @@ A set of crystal boots are lying here.~
|
|||
~
|
||||
9 0 0 0 0 ag 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
A
|
||||
18 3
|
||||
A
|
||||
|
|
@ -224,7 +224,7 @@ A set of crystal gloves is lying here.~
|
|||
~
|
||||
9 0 0 0 0 ah 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
A
|
||||
19 -3
|
||||
A
|
||||
|
|
@ -238,7 +238,7 @@ A small crystal wristband lies here shimmering on the ground.~
|
|||
~
|
||||
9 g 0 0 0 am 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
A
|
||||
19 5
|
||||
A
|
||||
|
|
@ -252,7 +252,7 @@ A set of flawless leggings sit upright here.~
|
|||
~
|
||||
9 0 0 0 0 af 0 0 0 0 0 0 0
|
||||
5 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
A
|
||||
14 -10
|
||||
A
|
||||
|
|
@ -266,7 +266,7 @@ A large crystal girth is lying here.~
|
|||
~
|
||||
9 0 0 0 0 al 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
A
|
||||
1 1
|
||||
A
|
||||
|
|
@ -280,17 +280,17 @@ A large emerald covered fountain sits here, looking refreshing.~
|
|||
~
|
||||
23 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
500 500 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
T 23855
|
||||
E
|
||||
water~
|
||||
You notice that there is a small portal on the bottom of the fountain.
|
||||
~
|
||||
E
|
||||
fountain~
|
||||
Looking closer at the fountain you notice that the bottom is very deep and
|
||||
there is something sparkling in the water.
|
||||
~
|
||||
E
|
||||
water~
|
||||
You notice that there is a small portal on the bottom of the fountain.
|
||||
~
|
||||
#23860
|
||||
key~
|
||||
a titanium key~
|
||||
|
|
@ -298,7 +298,7 @@ A small titanuim key is lying here.~
|
|||
~
|
||||
18 d 0 0 0 ac 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
50 1 0 0
|
||||
50 1 0 0 0
|
||||
A
|
||||
3 -4
|
||||
A
|
||||
|
|
@ -312,7 +312,7 @@ A large blue portal shimmers here.~
|
|||
~
|
||||
12 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
T 23862
|
||||
#23862
|
||||
portal~
|
||||
|
|
@ -321,7 +321,7 @@ A large red portal shimmers here.~
|
|||
~
|
||||
12 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
T 23863
|
||||
#23863
|
||||
portal~
|
||||
|
|
@ -330,7 +330,7 @@ A large green portal shimmers here.~
|
|||
~
|
||||
12 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
T 23861
|
||||
#23870
|
||||
plate~
|
||||
|
|
@ -339,7 +339,7 @@ A pile of black plate is lying here.~
|
|||
~
|
||||
9 ag 0 0 0 ad 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
20 200 0 0
|
||||
20 200 0 0 0
|
||||
A
|
||||
17 -2
|
||||
A
|
||||
|
|
@ -353,7 +353,7 @@ The queens scepter is lying here.~
|
|||
~
|
||||
1 g 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 -1 0
|
||||
3 200 0 0
|
||||
3 200 0 0 0
|
||||
A
|
||||
12 30
|
||||
A
|
||||
|
|
@ -367,7 +367,7 @@ A dragon claw is lying here.~
|
|||
~
|
||||
5 n 0 0 0 an 0 0 0 0 0 0 0
|
||||
8 10 5 8
|
||||
20 1000 0 0
|
||||
20 1000 0 0 0
|
||||
#23899
|
||||
head~
|
||||
a crystal dragon's head~
|
||||
|
|
@ -375,7 +375,7 @@ A large crystal dragon's head is lying here.~
|
|||
~
|
||||
9 0 0 0 0 ae 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
20 1000 0 0
|
||||
20 1000 0 0 0
|
||||
A
|
||||
5 -1
|
||||
A
|
||||
|
|
|
|||
|
|
@ -5,18 +5,18 @@ A long sharp-edged sword is stuck half into a stone.~
|
|||
~
|
||||
5 k 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 6 5 4
|
||||
15 1000 1000 0
|
||||
E
|
||||
writings~
|
||||
You can't make out anything of it, sorry. Maybe you should ask a sage or a
|
||||
wizard for help in this matter...
|
||||
~
|
||||
15 1000 1000 0 0
|
||||
E
|
||||
diamond edge edged sword long~
|
||||
This is a long slim sword with diamond edges on its silver blade. On the
|
||||
silver blade are some writings in a long forgotten language. The diamond edges
|
||||
of the blade are as sharp as razors and hard as dimonds.
|
||||
~
|
||||
E
|
||||
writings~
|
||||
You can't make out anything of it, sorry. Maybe you should ask a sage or a
|
||||
wizard for help in this matter...
|
||||
~
|
||||
A
|
||||
18 5
|
||||
A
|
||||
|
|
@ -28,7 +28,7 @@ A shiny longsword is lying on the ground.~
|
|||
~
|
||||
5 k 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 3 4 3
|
||||
8 600 200 0
|
||||
8 600 200 0 0
|
||||
#24802
|
||||
armor elven chain chainmail~
|
||||
an Elven chainmail~
|
||||
|
|
@ -36,7 +36,7 @@ A nice looking chainmail is lying on the ground here.~
|
|||
~
|
||||
9 k 0 0 0 ado 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
15 800 80 0
|
||||
15 800 80 0 0
|
||||
#24803
|
||||
mithril elven armor chain~
|
||||
a Mithril chainmail~
|
||||
|
|
@ -44,7 +44,7 @@ A white chainmail is lying on the ground.~
|
|||
~
|
||||
9 k 0 0 0 ado 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
15 1000 85 0
|
||||
15 1000 85 0 0
|
||||
A
|
||||
13 10
|
||||
A
|
||||
|
|
@ -56,7 +56,7 @@ A large sword is stuck into the ground.~
|
|||
~
|
||||
5 agik 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 4 4 3
|
||||
18 1000 100 0
|
||||
18 1000 100 0 0
|
||||
A
|
||||
18 1
|
||||
A
|
||||
|
|
@ -68,7 +68,7 @@ A large telescope is fastened on a tree.~
|
|||
~
|
||||
12 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
#24806
|
||||
bow hunting elven~
|
||||
an Elven hunting bow~
|
||||
|
|
@ -76,7 +76,7 @@ A wooden bow has been left here lying on the ground.~
|
|||
~
|
||||
5 k 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 2 6 7
|
||||
1 1000 330 0
|
||||
1 1000 330 0 0
|
||||
A
|
||||
18 2
|
||||
#24807
|
||||
|
|
@ -86,7 +86,7 @@ A chainmail coif has been left here on the ground.~
|
|||
~
|
||||
9 k 0 0 0 ae 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
20 400 20 0
|
||||
20 400 20 0 0
|
||||
#24808
|
||||
leggings chain elven~
|
||||
a pair of Elven Chain leggings~
|
||||
|
|
@ -94,7 +94,7 @@ Some chain leggings has been left here unguarded.~
|
|||
~
|
||||
9 abk 0 0 0 af 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
25 750 84 0
|
||||
25 750 84 0 0
|
||||
#24809
|
||||
green leafgreen potion~
|
||||
a Leaf-green potion~
|
||||
|
|
@ -102,7 +102,7 @@ A green potion is standing on the ground.~
|
|||
~
|
||||
10 gk 0 0 0 ao 0 0 0 0 0 0 0
|
||||
30 25 28 15
|
||||
1 900 50 0
|
||||
1 900 50 0 0
|
||||
#24810
|
||||
oak branch staff~
|
||||
an oak branch staff~
|
||||
|
|
@ -110,7 +110,7 @@ A long, grey branch rests heavily on the ground. ~
|
|||
~
|
||||
4 gk 0 0 0 ao 0 0 0 0 0 0 0
|
||||
30 15 5 42
|
||||
2 500 20 0
|
||||
2 500 20 0 0
|
||||
#24811
|
||||
potion ocean blue~
|
||||
an Ocean-blue potion~
|
||||
|
|
@ -118,7 +118,7 @@ An ocean-blue potion is resting on the ground.~
|
|||
~
|
||||
10 gk 0 0 0 ao 0 0 0 0 0 0 0
|
||||
30 3 1 36
|
||||
2 250 50 0
|
||||
2 900 50 0 0
|
||||
#24812
|
||||
flute mithril~
|
||||
a Mithril flute~
|
||||
|
|
@ -126,7 +126,7 @@ A glittring flute has carelessly been dropped here.~
|
|||
~
|
||||
3 gk 0 0 0 ao 0 0 0 0 0 0 0
|
||||
26 4 4 34
|
||||
2 1000 40 0
|
||||
2 1000 40 0 0
|
||||
#24813
|
||||
bag green small~
|
||||
a small green bag~
|
||||
|
|
@ -134,7 +134,7 @@ A green bag has been left here.~
|
|||
~
|
||||
15 0 0 0 0 ao 0 0 0 0 0 0 0
|
||||
50 0 0 0
|
||||
1 18 6 0
|
||||
1 18 6 0 0
|
||||
#24814
|
||||
sack green large~
|
||||
a large green sack~
|
||||
|
|
@ -142,7 +142,7 @@ A green sack has been left here.~
|
|||
~
|
||||
15 0 0 0 0 ao 0 0 0 0 0 0 0
|
||||
100 0 0 0
|
||||
2 25 10 0
|
||||
2 25 10 0 0
|
||||
#24815
|
||||
papyrus paper~
|
||||
a papyrus note~
|
||||
|
|
@ -150,7 +150,7 @@ A papyrus roll is lying on the ground.~
|
|||
~
|
||||
16 k 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 15 1 0
|
||||
1 15 1 0 0
|
||||
#24816
|
||||
swan quill feather pen white~
|
||||
a swan-feather quill~
|
||||
|
|
@ -158,7 +158,7 @@ A small white feather is flying around in mid-air.~
|
|||
~
|
||||
21 k 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 10 0 0
|
||||
1 10 0 0 0
|
||||
#24817
|
||||
small jar glass worm~
|
||||
a small glass jar with a glowing worm in it~
|
||||
|
|
@ -166,16 +166,16 @@ A small glass jar has been left on the ground.~
|
|||
~
|
||||
1 k 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 -1 0
|
||||
2 100 3 0
|
||||
E
|
||||
worm glowing~
|
||||
The worm looks friendly... :-)
|
||||
~
|
||||
2 100 3 0 0
|
||||
E
|
||||
small jar glass~
|
||||
You see a small perfectly made glass jar. In the jar you can see a small
|
||||
worm glowing brightly.
|
||||
~
|
||||
E
|
||||
worm glowing~
|
||||
The worm looks friendly... :-)
|
||||
~
|
||||
A
|
||||
18 2
|
||||
#24818
|
||||
|
|
@ -185,7 +185,7 @@ A nice looking skin, with white traces of milk on it, has been left here.~
|
|||
~
|
||||
17 k 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 20 10 0
|
||||
25 333 10 0
|
||||
25 333 10 0 0
|
||||
#24819
|
||||
rabbit meat rosted~
|
||||
a nicely rosted rabbit~
|
||||
|
|
@ -193,7 +193,7 @@ A very good smelling rosted rabbit has been left on the ground.~
|
|||
~
|
||||
19 0 0 0 0 ao 0 0 0 0 0 0 0
|
||||
24 0 0 0
|
||||
3 25 2 0
|
||||
3 25 2 0 0
|
||||
#24820
|
||||
bisquet elven~
|
||||
a fine elven bisquet~
|
||||
|
|
@ -201,7 +201,7 @@ A small bisquet lies on the ground.~
|
|||
~
|
||||
19 0 0 0 0 ao 0 0 0 0 0 0 0
|
||||
12 0 0 0
|
||||
1 5 1 0
|
||||
1 5 1 0 0
|
||||
#24821
|
||||
cape wool woolen ~
|
||||
a warm woolen cape~
|
||||
|
|
@ -209,7 +209,7 @@ Someone has left something wooly on the ground.~
|
|||
~
|
||||
9 0 0 0 0 ack 0 0 0 0 0 0 0
|
||||
9 0 0 0
|
||||
10 1000 200 0
|
||||
10 1000 200 0 0
|
||||
#24822
|
||||
ring fire opal~
|
||||
a small fire-opal ring ~
|
||||
|
|
@ -217,7 +217,7 @@ A small glowing ring has been left on the ground.~
|
|||
~
|
||||
9 a 0 0 0 ab 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
10 950 100 0
|
||||
10 950 100 0 0
|
||||
E
|
||||
ring fire opal~
|
||||
A small red opal is set into the platinum ring, the opal glows with a faint
|
||||
|
|
|
|||
|
|
@ -5,7 +5,7 @@ A steel suit of MoS is laying here on the ground.~
|
|||
~
|
||||
9 0 0 0 0 ad 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
11 450 0 30 0
|
||||
11 450 0 10 0
|
||||
E
|
||||
armor suit steal~
|
||||
Polished to a high sheen, this suit of steel completely encases the upper
|
||||
|
|
@ -37,7 +37,7 @@ An MoS shield has been left here.~
|
|||
~
|
||||
9 0 0 0 0 aj 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
5 12 0 30 0
|
||||
5 12 0 10 0
|
||||
E
|
||||
shield steel~
|
||||
This shield bears the sigil of the Militant Order of the Sword two swords,
|
||||
|
|
@ -81,7 +81,7 @@ A
|
|||
A
|
||||
13 -5
|
||||
#25305
|
||||
banner~
|
||||
banner gray piece cloth~
|
||||
a gray piece of cloth~
|
||||
A gray piece of cloth lies thrown in a corner.~
|
||||
~
|
||||
|
|
@ -89,7 +89,7 @@ A gray piece of cloth lies thrown in a corner.~
|
|||
0 0 0 0
|
||||
5 100 0 0 0
|
||||
E
|
||||
banner~
|
||||
banner gray piece cloth~
|
||||
This cloth tapestry depicts the Elven Lore of the Ancients, from the
|
||||
beginning of time to present day. All the history and magic that is the Elven
|
||||
Society is depicted on this tapestry.
|
||||
|
|
|
|||
|
|
@ -5,7 +5,7 @@ The rainbow staff lies here.~
|
|||
~
|
||||
1 g 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 -1 0
|
||||
8 500 0 0
|
||||
8 500 0 0 0
|
||||
A
|
||||
4 1
|
||||
#27701
|
||||
|
|
@ -15,7 +15,7 @@ Sting lies here.~
|
|||
~
|
||||
5 abk 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 2 7 10
|
||||
1 1000 0 0
|
||||
1 1000 0 0 0
|
||||
A
|
||||
2 2
|
||||
#27702
|
||||
|
|
@ -25,18 +25,16 @@ A sign demands your attention.~
|
|||
~
|
||||
12 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
sign~
|
||||
Welcome to the Shire. As you enter the Shire from Haon-Dor you come under
|
||||
the jurisdiction of the Thain, the peacekeeper of the Shire. Consequently,
|
||||
by entering these lands you agree to obey our laws. If you break these laws,
|
||||
you will be severely punished. We do not like riff raff in our peaceful
|
||||
town.
|
||||
the jurisdiction of the Thain, the peacekeeper of the Shire. Consequently, by
|
||||
entering these lands you agree to obey our laws. If you break these laws, you
|
||||
will be severely punished. We do not like riff raff in our peaceful town.
|
||||
|
||||
The Thain
|
||||
Peacekeeper of the Shire
|
||||
|
||||
~
|
||||
#27703
|
||||
pipeweed bread~
|
||||
|
|
@ -45,7 +43,7 @@ A loaf of pipeweed bread arouses your hunger.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
24 0 0 0
|
||||
1 13 0 0
|
||||
1 13 0 0 0
|
||||
#27704
|
||||
silvery cloak~
|
||||
a silvery cloak~
|
||||
|
|
@ -53,7 +51,7 @@ A silvery cloak lies here.~
|
|||
~
|
||||
9 gk 0 0 0 ak 0 0 0 0 0 0 0
|
||||
7 0 0 0
|
||||
3 100 0 0
|
||||
3 100 0 0 0
|
||||
A
|
||||
24 -2
|
||||
#27705
|
||||
|
|
@ -63,7 +61,7 @@ The One Ring is here.~
|
|||
~
|
||||
9 g 0 0 0 abo 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
3 250 0 0
|
||||
3 250 0 0 0
|
||||
A
|
||||
17 10
|
||||
A
|
||||
|
|
@ -75,7 +73,7 @@ An elven bow lies here.~
|
|||
~
|
||||
5 bgk 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 2 8 4
|
||||
10 200 0 0
|
||||
10 200 0 0 0
|
||||
A
|
||||
18 2
|
||||
#27707
|
||||
|
|
@ -85,7 +83,7 @@ A mithril axe lies here.~
|
|||
~
|
||||
5 acmno 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 2 8 5
|
||||
12 400 0 0
|
||||
12 400 0 0 0
|
||||
A
|
||||
19 2
|
||||
#27708
|
||||
|
|
@ -95,7 +93,7 @@ The girth of the thain lies here.~
|
|||
~
|
||||
9 n 0 0 0 al 0 0 0 0 0 0 0
|
||||
5 0 0 0
|
||||
4 1000 0 0
|
||||
4 1000 0 0 0
|
||||
A
|
||||
4 2
|
||||
#27709
|
||||
|
|
@ -105,7 +103,7 @@ A tiny dagger lies here.~
|
|||
~
|
||||
5 0 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 1 6 11
|
||||
3 40 0 0
|
||||
3 40 0 0 0
|
||||
#27710
|
||||
egg~
|
||||
an egg~
|
||||
|
|
@ -113,7 +111,7 @@ An egg lies here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 0 0 0
|
||||
1 9 0 0
|
||||
1 9 0 0 0
|
||||
#27711
|
||||
bag~
|
||||
a bag~
|
||||
|
|
@ -121,7 +119,7 @@ A bag is on the floor.~
|
|||
~
|
||||
15 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
50 0 0 0
|
||||
5 50 0 0
|
||||
5 50 0 0 0
|
||||
#27712
|
||||
lantern~
|
||||
a lantern~
|
||||
|
|
@ -129,7 +127,7 @@ A lantern is on the floor.~
|
|||
~
|
||||
1 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
0 0 20 0
|
||||
4 50 0 0
|
||||
4 50 0 0 0
|
||||
#27713
|
||||
bardiche long weapon~
|
||||
a bardiche~
|
||||
|
|
@ -137,7 +135,7 @@ A long weapon with a sharp end is on the floor.~
|
|||
~
|
||||
5 0 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 3 4 3
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
A
|
||||
18 4
|
||||
#27714
|
||||
|
|
@ -147,7 +145,7 @@ A flail is on the floor.~
|
|||
~
|
||||
5 0 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 2 4 6
|
||||
8 300 0 0
|
||||
8 300 0 0 0
|
||||
#27715
|
||||
sunflower golden flower~
|
||||
a golden sunflower~
|
||||
|
|
@ -155,7 +153,7 @@ A golden sunflower blooms here.~
|
|||
~
|
||||
15 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
0 0 -1 0
|
||||
1 1 0 0
|
||||
1 1 0 0 0
|
||||
E
|
||||
sunflower golden flower~
|
||||
This large flower is the bright golden yellow colour of sunshine, beautiful
|
||||
|
|
@ -169,7 +167,7 @@ A pile of sunflower seeds has been left here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 10 0 0
|
||||
1 10 0 0 0
|
||||
E
|
||||
sunflower seeds~
|
||||
This little teardrop shaped seeds are dark grey and striped with white, the
|
||||
|
|
@ -183,7 +181,7 @@ A trickle of water flows from the Brandywine.~
|
|||
~
|
||||
23 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
99 99 15 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
water trickle Brandywine water~
|
||||
This little trickle of sparkling water comes straight from the Brandywine
|
||||
|
|
@ -197,7 +195,7 @@ A plate of toad-in-the-hole is steaming here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
24 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate toad hole toad-in-the-hole~
|
||||
This steaming dish is made mainly of battered sausages, crisp brown batter
|
||||
|
|
@ -212,7 +210,7 @@ A plate of venison in red wine is steaming here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
24 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate venison red wine~
|
||||
This delicious looking meal is made from diced venison that has been simmered
|
||||
|
|
@ -227,7 +225,7 @@ A plate of suet pudding with beef sits steaming here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
24 0 0 0
|
||||
1 30 0 0
|
||||
1 30 0 0 0
|
||||
E
|
||||
plate suet pudding beef~
|
||||
This brown crisp battering looks perfectly made, puffy and steaming next to a
|
||||
|
|
@ -242,7 +240,7 @@ A bowl of apple crumble sits here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
bowl apple crumble~
|
||||
This dish is made of diced apples that have been coated with brown sugar and
|
||||
|
|
@ -257,7 +255,7 @@ A bowl of apricot fool sits here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
bowl apricot fool~
|
||||
Golden apricots have been mashed to a smooth puree and allowed to soak in
|
||||
|
|
@ -271,7 +269,7 @@ A plate of bacon roly-poly sits steaming here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
plate bacon roly-poly~
|
||||
This traditional dish is made with moist suet pastry, filled with chopped
|
||||
|
|
@ -286,7 +284,7 @@ A plate of bangers and mash smells absolutely delicious.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 0 0 0
|
||||
1 20 0 0
|
||||
1 20 0 0 0
|
||||
E
|
||||
plate bangers mash~
|
||||
Three crispy brown sausages sit side by side, nestled next to a generous
|
||||
|
|
@ -300,7 +298,7 @@ A bowl of bread and butter pudding is soaking here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 12 0 0
|
||||
1 12 0 0 0
|
||||
E
|
||||
bowl bread butter pudding~
|
||||
Sliced bread has been soaked in sugared milk until completely moist and soft,
|
||||
|
|
@ -315,7 +313,7 @@ A plate of bubble and squeak wafts heat into the air.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate bubble squeak~
|
||||
Chopped up beef has been fried together with green cabbage and mixed
|
||||
|
|
@ -329,7 +327,7 @@ A plate of cauliflower cheese sits temptingly here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
16 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate cauliflower cheese~
|
||||
Pale cauliflower florets have been steamed lightly until softened and baked
|
||||
|
|
@ -343,7 +341,7 @@ A plate of chicken kiev steams slowly.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
24 0 0 0
|
||||
1 30 0 0
|
||||
1 30 0 0 0
|
||||
E
|
||||
plate chicken kiev~
|
||||
A piece of succulent white chicken breast has been carefully pierced and
|
||||
|
|
@ -358,7 +356,7 @@ A plate of fried duck breast simmers with heat.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 0 0 0
|
||||
1 30 0 0
|
||||
1 30 0 0 0
|
||||
E
|
||||
plate fried duck breast~
|
||||
This slightly fatty piece of deep red meat has been seared with intense heat
|
||||
|
|
@ -373,7 +371,7 @@ A scotch egg has been dropped here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
scotch egg~
|
||||
This filling little snack has been made from a hard boiled egg which has then
|
||||
|
|
@ -387,7 +385,7 @@ A bowl of bananas and custard has been left here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
bowl bananas custard~
|
||||
This delicious desert has been made from sliced bananas left to simmer in hot
|
||||
|
|
@ -401,7 +399,7 @@ A piece of sticky gingerbread is lying here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
1 10 0 0
|
||||
1 10 0 0 0
|
||||
E
|
||||
piece sticky gingerbread~
|
||||
This golden brown piece of gingerbread is soft and squidgy, made from mostly
|
||||
|
|
@ -415,7 +413,7 @@ A plate of smoked mackerel has been set here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
12 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate smoked mackerel~
|
||||
Creamy coloured mackerel meat has been cooked and mashed together with melted
|
||||
|
|
@ -430,7 +428,7 @@ A plate of shepherd's pie gives off a delicious smell.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate shepherd's pie~
|
||||
This piping hot dish has been made from minced mutton mixed with sliced
|
||||
|
|
@ -445,7 +443,7 @@ A pickled onion lies on the ground.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
pickled onion~
|
||||
This very small onion is about the size of a whole walnut, peeled and scalded
|
||||
|
|
@ -459,7 +457,7 @@ A sausage roll lies steaming here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 20 0 0
|
||||
1 20 0 0 0
|
||||
E
|
||||
sausage roll~
|
||||
A slightly spiced sausage has been cooked until soft and tender and rolled in
|
||||
|
|
@ -473,7 +471,7 @@ A bowl of spotted dick is set here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
8 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
spotted dick bowl~
|
||||
Shredded suet pastry has been tossed with breadcrumbs and raisins, seasoned
|
||||
|
|
@ -488,7 +486,7 @@ A plate of baked gammon in cider sits here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate baked gammon cider~
|
||||
A joint of gammon has been slowly simmered in a cider sauce with chopped
|
||||
|
|
@ -502,7 +500,7 @@ A plate of baked flounder smells delicious.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
14 0 0 0
|
||||
1 20 0 0
|
||||
1 20 0 0 0
|
||||
E
|
||||
plate baked flounder~
|
||||
Two small flounders have been baked with nutmeg and herbs before being
|
||||
|
|
@ -517,7 +515,7 @@ A crumpet has been left here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
1 20 0 0
|
||||
1 20 0 0 0
|
||||
E
|
||||
crumpet~
|
||||
A salted batter of flour and yeast has been mixed with warm milk and fried
|
||||
|
|
@ -531,7 +529,7 @@ A plate of lamprey in brewet sits here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 24 0 0
|
||||
1 24 0 0 0
|
||||
E
|
||||
plate lamprey brewet~
|
||||
A piece of fresh white lamprey has been boiled in salted water and then fried
|
||||
|
|
@ -546,7 +544,7 @@ A piece of lemon cake sits here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
piece lemon cake~
|
||||
This deliciously sweet and lemony piece of cake is a delicate yellow colour,
|
||||
|
|
@ -560,7 +558,7 @@ A plate of mushroom croustades is steaming here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 24 0 0
|
||||
1 24 0 0 0
|
||||
E
|
||||
plate mushroom croustades~
|
||||
Wholemeal rolls have been hollowed out and spread with crushed garlic,
|
||||
|
|
@ -575,7 +573,7 @@ A bowl of treacle pudding sits here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
15 0 0 0
|
||||
1 15 0 0
|
||||
1 15 0 0 0
|
||||
E
|
||||
bowl treacle pudding~
|
||||
A golden tart of treacle and rich shortcrust pastry has been sprinkled with
|
||||
|
|
@ -589,7 +587,7 @@ A plate of skirlie with mushrooms has been set here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate skirlie mushrooms~
|
||||
Sliced mushrooms and onion have been fried until golden brown in good meat
|
||||
|
|
@ -603,7 +601,7 @@ A plate of quails on mushrooms has been set here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
20 0 0 0
|
||||
1 25 0 0
|
||||
1 25 0 0 0
|
||||
E
|
||||
plate quails mushrooms~
|
||||
Two plump quails have been stuffed with finely chopped garlic, chives, and
|
||||
|
|
@ -618,7 +616,7 @@ A hunter's knife lies forgotten here.~
|
|||
~
|
||||
5 0 0 0 0 an 0 0 0 0 0 0 0
|
||||
2 4 3 11
|
||||
1 150 0 0
|
||||
1 150 0 0 0
|
||||
E
|
||||
hunter's knife~
|
||||
This little serrated blade has been designed for sawing through tough hides
|
||||
|
|
@ -632,7 +630,7 @@ flowing purple skirt~
|
|||
~
|
||||
11 0 0 0 0 af 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
2 150 0 0
|
||||
2 150 0 0 0
|
||||
E
|
||||
flowing purple skirt~
|
||||
This long skirt is made from masses of purple fabric, making it very full and
|
||||
|
|
@ -648,7 +646,7 @@ purple bodice~
|
|||
~
|
||||
11 0 0 0 0 al 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 100 0 0
|
||||
1 100 0 0 0
|
||||
E
|
||||
purple bodice~
|
||||
This delicate bodice has been designed to tightly cinch the waist of the
|
||||
|
|
@ -662,7 +660,7 @@ white cotton blouse~
|
|||
~
|
||||
11 0 0 0 0 ad 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 90 0 0
|
||||
1 90 0 0 0
|
||||
E
|
||||
white cotton blouse~
|
||||
This simple gauzy blouse is loose and airy, gathered sleeves ending at the
|
||||
|
|
@ -679,7 +677,7 @@ daisy chain~
|
|||
~
|
||||
11 0 0 0 0 aeo 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 10 0 0
|
||||
1 10 0 0 0
|
||||
E
|
||||
daisy chain~
|
||||
This pretty little chain is made up of flowers as white as pure snow, their
|
||||
|
|
@ -692,7 +690,7 @@ sweeping green skirt~
|
|||
~
|
||||
11 0 0 0 0 af 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
2 110 0 0
|
||||
2 110 0 0 0
|
||||
E
|
||||
sweeping green skirt~
|
||||
This long velvety skirt hangs in deep sweeping folds, the long hem trimmed
|
||||
|
|
@ -707,7 +705,7 @@ green bodice~
|
|||
~
|
||||
11 0 0 0 0 al 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 100 0 0
|
||||
1 100 0 0 0
|
||||
E
|
||||
green bodice~
|
||||
This deep green material is slightly velvety in feel, dark wooden buttons
|
||||
|
|
@ -723,7 +721,7 @@ light yellow skirt~
|
|||
~
|
||||
11 0 0 0 0 af 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
2 120 0 0
|
||||
2 120 0 0 0
|
||||
E
|
||||
light yellow skirt~
|
||||
This brightly coloured skirt is made from a very fragile and airy material,
|
||||
|
|
@ -738,7 +736,7 @@ yellow bodice~
|
|||
~
|
||||
11 0 0 0 0 al 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 100 0 0
|
||||
1 100 0 0 0
|
||||
E
|
||||
yellow bodice~
|
||||
This pretty little bodice is hemmed with a delicate embroidering of gold, and
|
||||
|
|
@ -754,7 +752,7 @@ flowing blue skirt~
|
|||
~
|
||||
11 0 0 0 0 af 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
2 120 0 0
|
||||
2 120 0 0 0
|
||||
E
|
||||
flowing blue skirt~
|
||||
Made from light silky material, this delicate blue skirt is soft and smooth
|
||||
|
|
@ -769,7 +767,7 @@ blue bodice~
|
|||
~
|
||||
11 0 0 0 0 al 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 90 0 0
|
||||
1 90 0 0 0
|
||||
E
|
||||
blue bodice~
|
||||
Lightly embroidered with silver thread, this blue bodice is made of a very
|
||||
|
|
@ -785,7 +783,7 @@ A wooden crate stands amongst the shadows.~
|
|||
~
|
||||
15 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
99 0 -1 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
wooden crate~
|
||||
Made of damp and mouldy wooden boards, this crate looks more likely to fall
|
||||
|
|
@ -800,7 +798,7 @@ string black pearls~
|
|||
~
|
||||
11 0 0 0 0 ac 0 0 0 o 0 0 0
|
||||
0 0 0 0
|
||||
1 500 2 0
|
||||
1 500 2 0 0
|
||||
E
|
||||
string black pearls~
|
||||
Darkly beautiful, these smooth black pearls are linked with a fine silver
|
||||
|
|
@ -816,7 +814,7 @@ A treasure chest stands against the wall.~
|
|||
~
|
||||
15 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
99 13 27761 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
treasure chest~
|
||||
This strong wooden chest is bound with thick metal bands, keeping the
|
||||
|
|
@ -831,7 +829,7 @@ A tiny metal key glints on the ground.~
|
|||
~
|
||||
18 q 0 0 0 a 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
1 10 0 0
|
||||
1 10 0 0 0
|
||||
E
|
||||
tiny metal key~
|
||||
This little key has been forged from a silvery metal, its once polished
|
||||
|
|
@ -845,7 +843,7 @@ A pile of gold coins glints temptingly here.~
|
|||
~
|
||||
20 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
1220 0 0 0
|
||||
1 1 0 0
|
||||
1 1 0 0 0
|
||||
E
|
||||
pile gold coins~
|
||||
Various pieces of gold lie gathered in a pile, worn with time and lack of
|
||||
|
|
@ -858,7 +856,7 @@ A bejewelled shield sparkles here.~
|
|||
~
|
||||
9 0 0 0 0 aj 0 0 0 0 0 0 0
|
||||
5 0 0 0
|
||||
3 1000 5 0
|
||||
3 1000 5 0 0
|
||||
E
|
||||
paladin's bejewelled shield~
|
||||
This shield is inscribed with the name of Paladin Took II, and seems to be
|
||||
|
|
@ -874,7 +872,7 @@ A small chest stands here, covered over with a dirty cloth.~
|
|||
~
|
||||
15 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
99 1 -1 0
|
||||
0 0 0 0
|
||||
0 0 0 0 0
|
||||
E
|
||||
chest small~
|
||||
This decrepit wooden chest is made from dark mouldy boards, almost completely
|
||||
|
|
@ -888,7 +886,7 @@ An old skeleton lies crumpled here.~
|
|||
~
|
||||
13 q 0 0 0 a 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
5 1 0 0
|
||||
5 1 0 0 0
|
||||
E
|
||||
old skeleton~
|
||||
This intact pile of bones is obviously the long decayed form of a hobbit,
|
||||
|
|
|
|||
|
|
@ -5,7 +5,7 @@ A pile of black armour is here.~
|
|||
~
|
||||
9 j 0 0 0 ad 0 0 0 0 0 0 0
|
||||
1 0 0 0
|
||||
13 300 1 0
|
||||
13 300 1 0 0
|
||||
#3601
|
||||
armour white pawn~
|
||||
some White Pawn Armour~
|
||||
|
|
@ -13,7 +13,7 @@ A pile of white armour is here.~
|
|||
~
|
||||
9 k 0 0 0 ad 0 0 0 0 0 0 0
|
||||
1 0 0 0
|
||||
13 300 1 0
|
||||
13 300 1 0 0
|
||||
#3602
|
||||
sword black pawn~
|
||||
a Black Pawn's Sword~
|
||||
|
|
@ -21,7 +21,7 @@ The sword of a Black Pawn lies here.~
|
|||
~
|
||||
5 j 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 3 4 3
|
||||
10 100 1 0
|
||||
10 100 1 0 0
|
||||
#3603
|
||||
sword white pawn~
|
||||
a White Pawn's Sword~
|
||||
|
|
@ -29,15 +29,15 @@ The sword of a White Pawn lies here.~
|
|||
~
|
||||
5 k 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 3 4 3
|
||||
10 100 1 0
|
||||
10 100 1 0 0
|
||||
#3604
|
||||
armour black rook~
|
||||
some Black Rook Armour~
|
||||
Some armour made from the remains of a black rook lies heaped on the floor.~
|
||||
~
|
||||
9 ahj 0 0 0 ad 0 0 0 0 0 0 0
|
||||
9 aj 0 0 0 ad 0 0 0 0 0 0 0
|
||||
2 0 0 0
|
||||
50 170 5 0
|
||||
50 170 5 0 0
|
||||
A
|
||||
17 2
|
||||
A
|
||||
|
|
@ -49,7 +49,7 @@ Some armour made from the remains of a white rook lies heaped on the floor.~
|
|||
~
|
||||
9 agk 0 0 0 ad 0 0 0 0 0 0 0
|
||||
2 0 0 0
|
||||
50 170 5 0
|
||||
50 170 5 0 0
|
||||
A
|
||||
17 2
|
||||
A
|
||||
|
|
@ -61,7 +61,7 @@ The Lance of the Black Knight lies here, waiting to rust.~
|
|||
~
|
||||
5 bgj 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 3 6 6
|
||||
18 100 3 0
|
||||
18 100 3 0 0
|
||||
A
|
||||
19 2
|
||||
A
|
||||
|
|
@ -73,7 +73,7 @@ The Lance of the White Knight lies here, waiting to rust.~
|
|||
~
|
||||
5 bgk 0 0 0 an 0 0 0 0 0 0 0
|
||||
0 3 6 6
|
||||
18 100 3 0
|
||||
18 100 3 0 0
|
||||
A
|
||||
19 2
|
||||
A
|
||||
|
|
@ -85,7 +85,7 @@ The Black Bishop's Staff is lying here.~
|
|||
~
|
||||
4 agj 0 0 0 ao 0 0 0 0 0 0 0
|
||||
20 5 5 36
|
||||
3 200 6 0
|
||||
3 200 6 0 0
|
||||
#3609
|
||||
staff white bishop~
|
||||
the Staff of the White Bishop~
|
||||
|
|
@ -93,7 +93,7 @@ The White Bishop's Staff is lying here.~
|
|||
~
|
||||
4 agk 0 0 0 ao 0 0 0 0 0 0 0
|
||||
20 5 5 36
|
||||
3 200 6 0
|
||||
3 200 6 0 0
|
||||
#3610
|
||||
crown black queen~
|
||||
the Crown of the Black Queen~
|
||||
|
|
@ -101,7 +101,7 @@ The Crown of the Black Queen lies here, looking neglected.~
|
|||
~
|
||||
9 bgj 0 0 0 ae 0 0 0 0 0 0 0
|
||||
2 0 0 0
|
||||
4 300 5 0
|
||||
4 300 5 0 0
|
||||
A
|
||||
3 1
|
||||
A
|
||||
|
|
@ -113,7 +113,7 @@ The Crown of the White Queen lies here, looking neglected.~
|
|||
~
|
||||
9 bgk 0 0 0 ae 0 0 0 0 0 0 0
|
||||
2 0 0 0
|
||||
4 300 5 0
|
||||
4 300 5 0 0
|
||||
A
|
||||
3 1
|
||||
A
|
||||
|
|
@ -125,7 +125,7 @@ The Sceptre of the Black King lies here, collecting dust.~
|
|||
~
|
||||
8 bfgj 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
50 850 1 0
|
||||
50 850 1 0 0
|
||||
A
|
||||
1 1
|
||||
A
|
||||
|
|
@ -137,7 +137,7 @@ The Sceptre of the White King lies here, collecting dust.~
|
|||
~
|
||||
8 bfgk 0 0 0 ao 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
50 850 10 0
|
||||
50 850 10 0 0
|
||||
A
|
||||
1 1
|
||||
A
|
||||
|
|
@ -149,7 +149,7 @@ There is a sinister black key lying here.~
|
|||
~
|
||||
18 cdfq 0 0 0 ao 0 0 0 0 0 0 0
|
||||
3614 0 0 0
|
||||
1 1000 300 0
|
||||
1 1000 300 0 0
|
||||
#3615
|
||||
key white treasury~
|
||||
the Key to the White Treasury~
|
||||
|
|
@ -157,7 +157,7 @@ There is a bright white key lying here.~
|
|||
~
|
||||
18 cdfq 0 0 0 ao 0 0 0 0 0 0 0
|
||||
3615 0 0 0
|
||||
1 1000 300 0
|
||||
1 1000 300 0 0
|
||||
#3616
|
||||
coins gold black royal treasure~
|
||||
the Black Royal Treasure~
|
||||
|
|
@ -165,7 +165,7 @@ There are a LOT of coins here.~
|
|||
~
|
||||
20 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
1000 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
#3617
|
||||
coins gold white royal treasure~
|
||||
the White Royal Treasure~
|
||||
|
|
@ -173,5 +173,5 @@ There are a LOT of coins here.~
|
|||
~
|
||||
20 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
1000 0 0 0
|
||||
10 1000 0 0
|
||||
10 1000 0 0 0
|
||||
$~
|
||||
|
|
|
|||
|
|
@ -5,7 +5,7 @@ A red feather lies here.~
|
|||
~
|
||||
2 0 0 0 0 ae 0 0 0 0 0 0 0
|
||||
30 26 -1 -1
|
||||
1 300 0 0
|
||||
1 300 0 0 0
|
||||
A
|
||||
17 -5
|
||||
#4501
|
||||
|
|
@ -15,7 +15,7 @@ A large bundle of cloth lies here.~
|
|||
~
|
||||
9 k 0 0 0 ad 0 0 0 0 0 0 0
|
||||
6 0 0 0
|
||||
5 100 0 0
|
||||
5 100 0 0 0
|
||||
A
|
||||
4 2
|
||||
A
|
||||
|
|
@ -25,9 +25,9 @@ sandals shoes~
|
|||
a pair of sandals~
|
||||
Some nice sandals sit here.~
|
||||
~
|
||||
9 hkmopq 0 0 0 ag 0 0 0 0 0 0 0
|
||||
9 kmopq 0 0 0 ag 0 0 0 0 0 0 0
|
||||
2 0 0 0
|
||||
2 500 0 0
|
||||
2 500 0 0 0
|
||||
A
|
||||
3 1
|
||||
A
|
||||
|
|
@ -39,7 +39,7 @@ A pile of gold is stacked here.~
|
|||
~
|
||||
20 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
500 0 0 0
|
||||
20 500 0 0
|
||||
20 500 0 0 0
|
||||
#4517
|
||||
chimera statue~
|
||||
a statue of a chimera~
|
||||
|
|
@ -47,15 +47,15 @@ A small statue is here.~
|
|||
~
|
||||
12 c 0 0 0 a 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
5 1 0 0
|
||||
5 1 0 0 0
|
||||
#4518
|
||||
phoenix claw~
|
||||
a phoenix claw~
|
||||
A large claw of the phoenix lies here.~
|
||||
~
|
||||
5 hkopq 0 0 0 an 0 0 0 0 0 0 0
|
||||
5 kopq 0 0 0 an 0 0 0 0 0 0 0
|
||||
2 3 7 8
|
||||
3 1000 0 0
|
||||
3 1000 0 0 0
|
||||
A
|
||||
17 5
|
||||
A
|
||||
|
|
@ -69,7 +69,7 @@ Some celery stalks here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
48 0 0 0
|
||||
1 500 0 0
|
||||
1 500 0 0 0
|
||||
#4524
|
||||
bunch o strawberries~
|
||||
a bunch of strawberries~
|
||||
|
|
@ -77,7 +77,7 @@ A bunch of strawberries lie here.~
|
|||
~
|
||||
19 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
5 0 0 0
|
||||
1 1 0 0
|
||||
1 1 0 0 0
|
||||
#4588
|
||||
cloak green dark arrow broken~
|
||||
a Cloak of the Broken Arrow~
|
||||
|
|
@ -85,7 +85,7 @@ A dark green cloak lies here.~
|
|||
~
|
||||
1 gk 0 0 0 ak 0 0 0 0 0 0 0
|
||||
0 0 0 0
|
||||
9 1000 0 30
|
||||
9 1000 0 30 0
|
||||
A
|
||||
5 2
|
||||
A
|
||||
|
|
|
|||
|
|
@ -120,7 +120,7 @@ shield~
|
|||
a marble shield~
|
||||
A marble shield lies here.~
|
||||
~
|
||||
9 0 0 0 0 a 0 0 0 0 0 0 0
|
||||
9 0 0 0 0 aj 0 0 0 0 0 0 0
|
||||
10 0 0 0
|
||||
8 200 0 10 0
|
||||
E
|
||||
|
|
|
|||
|
|
@ -1552,7 +1552,7 @@ Eval and Set Example~
|
|||
2 d 100
|
||||
test~
|
||||
* By Rumble of The Builder Academy tbamud.com 9091
|
||||
* This is a speech trig @RHELP TRIGEDIT ROOM SPEECH@n, say 'test' to activate.
|
||||
* This is a speech trig RHELP TRIGEDIT ROOM SPEECH n, say 'test' to activate.
|
||||
* There is much confusion about the difference between set and eval. So this is
|
||||
* the simplest way I can think of to explain it (assume %actor.level% = 34):
|
||||
*
|
||||
|
|
@ -2806,7 +2806,7 @@ teleport~
|
|||
%echoaround% %actor% %actor.name% attempts to manipulate space and time.
|
||||
wait 1 sec
|
||||
set sanctus 100
|
||||
set jade 401
|
||||
set jade 499
|
||||
set newbie 500
|
||||
set sea 600
|
||||
set camelot 775
|
||||
|
|
|
|||
|
|
@ -258,7 +258,7 @@ teleport~
|
|||
%echoaround% %actor% %actor.name% attempts to manipulate space and time.
|
||||
wait 1 sec
|
||||
set sanctus 100
|
||||
set jade 400
|
||||
set jade 499
|
||||
set newbie 500
|
||||
set sea 600
|
||||
set camelot 775
|
||||
|
|
|
|||
|
|
@ -548,56 +548,33 @@ S
|
|||
#33
|
||||
Rumble's Room~
|
||||
Our lives begin to end the day we become silent about things that matter.
|
||||
\t(HELP CLASS\t) <--- would create a basic MXP link
|
||||
\t[F500]BRIGHT RED\tn
|
||||
\t[F411]PINK\tn
|
||||
\tPPINK\tn
|
||||
\t[B005]BLUE BACKGROUND\tn
|
||||
\t[U9814/Rook] <-- Create a rook icon, or display the word Rook if the player's client doesn't have that functionality
|
||||
\t<SOUND FName="ouch.wav" V=50 L=2 P=80 T="combat" U="www.yourMUD.com/sounds/"> <-- Would play ouch.wav on an MXP/MSP capable client.
|
||||
\t<send "command1|command2|command3" hint="click to see menu|Item 1|Item 2|Item 2">this is a menu link\t</SEND> <--- Will send an expandable pop-up menu, complete with mouse-over tool tip on an MXP capable client.
|
||||
~
|
||||
0 8 0 0 0 0
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
undefined~
|
||||
test
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
John Stuart Mill
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
~
|
||||
E
|
||||
old glory flag~
|
||||
|
|
@ -630,22 +607,53 @@ or daughter-I am proud. My name is Old Glory-long may I wave. Dear God, long
|
|||
may I wave.
|
||||
~
|
||||
E
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
undefined~
|
||||
test
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
S
|
||||
#34
|
||||
|
|
@ -835,14 +843,14 @@ D2
|
|||
~
|
||||
0 0 98
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
E
|
||||
floor~
|
||||
The stone floor is the same shade of grey as the sky and is completely plain
|
||||
and unscratched. It is probably too hard for anything to leave as much as a
|
||||
scratch on it.
|
||||
~
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
S
|
||||
$~
|
||||
|
|
|
|||
|
|
@ -11,13 +11,6 @@ D0
|
|||
~
|
||||
0 0 24005
|
||||
E
|
||||
gate~
|
||||
The large gates are made of wood, but are so heavily reinforced with stell
|
||||
that The large gates are made of wood, but are so heavily reinforced with steel
|
||||
that you can hardly tell. It would take someone of inhuman strength to close
|
||||
them.
|
||||
~
|
||||
E
|
||||
credits info~
|
||||
Builder : Rumble
|
||||
Zone : 240 Dun Maura
|
||||
|
|
@ -35,6 +28,13 @@ Zone: 240 was linked to the following zones:
|
|||
100 The Northern Highway at: 24000 (south) ---> 10096
|
||||
86 Duke Kalithorn's Keep at: 24084 (north) ---> 8660
|
||||
~
|
||||
E
|
||||
gate~
|
||||
The large gates are made of wood, but are so heavily reinforced with stell
|
||||
that The large gates are made of wood, but are so heavily reinforced with steel
|
||||
that you can hardly tell. It would take someone of inhuman strength to close
|
||||
them.
|
||||
~
|
||||
S
|
||||
#24001
|
||||
Zyanya Way~
|
||||
|
|
@ -435,7 +435,7 @@ D3
|
|||
S
|
||||
#24023
|
||||
Vassar Road~
|
||||
To the west you can hear the sounds of fighting. To the east a small
|
||||
To the east you can hear the sounds of fighting. To the west a small
|
||||
marketplace. You remember more of the minotuar history. They are intensely
|
||||
proud creatures, half-human and half-cow, "bovine" is just about the worst
|
||||
insult anyone can hurl at a minotaur
|
||||
|
|
@ -596,14 +596,14 @@ D5
|
|||
Grate~
|
||||
1 0 24088
|
||||
E
|
||||
grate~
|
||||
A small grate is partially hidden under some dirt and blankets.
|
||||
~
|
||||
E
|
||||
rug~
|
||||
The rug seems to be covering a large grate in the floor. You wonder if you
|
||||
could lift that heavy metal grate.
|
||||
~
|
||||
E
|
||||
grate~
|
||||
A small grate is partially hidden under some dirt and blankets.
|
||||
~
|
||||
S
|
||||
#24031
|
||||
Supplies store~
|
||||
|
|
|
|||
|
|
@ -428,10 +428,6 @@ are no other exits than the one to the south. The beds look uncomfortable and
|
|||
unkept.
|
||||
~
|
||||
248 8 0 0 0 0
|
||||
D0
|
||||
~
|
||||
~
|
||||
0 -1 24827
|
||||
D2
|
||||
~
|
||||
~
|
||||
|
|
|
|||
|
|
@ -248,12 +248,6 @@ D2
|
|||
door south~
|
||||
1 0 3910
|
||||
E
|
||||
door legend~
|
||||
The carvings on the door show a scene of one of Haven's greatest heros,
|
||||
Delegarthe Haven himself, slaying the dreaded sea dragon and making Haven a
|
||||
safe place to fish.
|
||||
~
|
||||
E
|
||||
railing fish carving porch~
|
||||
Before you is the masterfully decorated porch. It is roofed in red tiles.
|
||||
The railings are all one piece of wood, a flowing flowery vine. The flowers
|
||||
|
|
@ -263,6 +257,12 @@ Haven's main export, fish, standing on their tails and supporting the vine with
|
|||
thier mouths. The sapphires that form the eyes of the fish twinkle merrily,
|
||||
almost making you believe the fish to be alive.
|
||||
~
|
||||
E
|
||||
door legend~
|
||||
The carvings on the door show a scene of one of Haven's greatest heros,
|
||||
Delegarthe Haven himself, slaying the dreaded sea dragon and making Haven a
|
||||
safe place to fish.
|
||||
~
|
||||
S
|
||||
#3912
|
||||
Tiama's Kitchen~
|
||||
|
|
@ -319,16 +319,16 @@ D2
|
|||
~
|
||||
0 0 3911
|
||||
E
|
||||
animal animals~
|
||||
Rabbits, foxes, birds, and other small mammals dart under the trees and
|
||||
across your path, absoluetly unafraid.
|
||||
~
|
||||
E
|
||||
flower everblooming flowers ever blooming vine vines~
|
||||
The flowers are in many hues and give off meny scents that mix to make an
|
||||
overall pleasant purfume. The plants have been magically altered to produce
|
||||
sweet blooms, even in the dead of winter.
|
||||
~
|
||||
E
|
||||
animal animals~
|
||||
Rabbits, foxes, birds, and other small mammals dart under the trees and
|
||||
across your path, absoluetly unafraid.
|
||||
~
|
||||
S
|
||||
#3915
|
||||
A Room Full of Stolen Goods~
|
||||
|
|
@ -1290,13 +1290,13 @@ D3
|
|||
S
|
||||
#3963
|
||||
Sandy Path~
|
||||
O the south what was previously sandy-looking is now a giant, jagged boulder
|
||||
To the south what was previously sandy-looking is now a giant, jagged boulder
|
||||
of shiny black rock. The southeastern breeze drifts the happy screams of
|
||||
children toward you. To the north the door of one of the fishing family's
|
||||
house's door stands open, the resident of the house not there. Perhaps they
|
||||
left in a hurry to the beach to retrieve a child, or maye they went to the
|
||||
market for some last minute supplies. The wind whistles through the cracks on
|
||||
the boulders and would set all but a deaf person's teeth on edge.
|
||||
house's stands open, the resident of the house is not there. Perhaps they left
|
||||
in a hurry to the beach to retrieve a child, or maybe they went to the market
|
||||
for some last minute supplies. The wind whistles through the cracks on the
|
||||
boulders and would set all but a deaf person's teeth on edge.
|
||||
~
|
||||
39 0 0 0 0 0
|
||||
D0
|
||||
|
|
@ -2037,14 +2037,6 @@ D2
|
|||
~
|
||||
0 0 3995
|
||||
E
|
||||
color canopies colorful~
|
||||
As you look intently to the south and the flashes of color you can see that
|
||||
the canopies are really lots of tightly woven blankets stitched together. It
|
||||
probably serves to keep the sun off the customers and merchants. It doesn't
|
||||
really look like a canopy, but more of a colorful roof over the marketplace,
|
||||
billowing in the wind.
|
||||
~
|
||||
E
|
||||
traffic people~
|
||||
People, mules, horses, and all manner of things race along the road here, in
|
||||
a hurry to get to wherever it is they want to go. The ones headed to the south
|
||||
|
|
@ -2053,6 +2045,14 @@ straining animals. The ones heading north lug heavy baskets full of the day's
|
|||
find at the market, their expressions pleased that they got the best of the
|
||||
pesky merchants. Didn't they?
|
||||
~
|
||||
E
|
||||
color canopies colorful~
|
||||
As you look intently to the south and the flashes of color you can see that
|
||||
the canopies are really lots of tightly woven blankets stitched together. It
|
||||
probably serves to keep the sun off the customers and merchants. It doesn't
|
||||
really look like a canopy, but more of a colorful roof over the marketplace,
|
||||
billowing in the wind.
|
||||
~
|
||||
S
|
||||
#3997
|
||||
Market Road~
|
||||
|
|
@ -2076,6 +2076,14 @@ toward the market.
|
|||
~
|
||||
0 0 3996
|
||||
E
|
||||
color canopies colorful~
|
||||
As you look intently to the south and the flashes of color you can see that
|
||||
the canopies are really lots of tightly woven blankets stitched together. It
|
||||
probably serves to keep the sun off the customers and merchants. It doesn't
|
||||
really look like a canopy, but more of a colorful roof over the marketplace,
|
||||
billowing in the wind.
|
||||
~
|
||||
E
|
||||
people traffic~
|
||||
People, mules, horses, and all manner of things race along the road here, in
|
||||
a hurry to get to wherever it is they want to go. The ones headed to the south
|
||||
|
|
@ -2084,14 +2092,6 @@ straining animals. The ones heading north lug heavy baskets full of the day's
|
|||
find at the market, their expressions pleased that they got the best of the
|
||||
pesky merchants. Didn't they?
|
||||
~
|
||||
E
|
||||
color canopies colorful~
|
||||
As you look intently to the south and the flashes of color you can see that
|
||||
the canopies are really lots of tightly woven blankets stitched together. It
|
||||
probably serves to keep the sun off the customers and merchants. It doesn't
|
||||
really look like a canopy, but more of a colorful roof over the marketplace,
|
||||
billowing in the wind.
|
||||
~
|
||||
S
|
||||
#3998
|
||||
The Ornate City Gates~
|
||||
|
|
|
|||
|
|
@ -19,7 +19,7 @@ Shops : 3
|
|||
Triggers : 0
|
||||
Theme :
|
||||
Plot :
|
||||
Links : 00
|
||||
Links : none, Start room 99
|
||||
~
|
||||
S
|
||||
#401
|
||||
|
|
|
|||
|
|
@ -806,7 +806,7 @@ S
|
|||
Dark Isle~
|
||||
You look around at your surroundings, and see a floating village to the
|
||||
north. You can see a small resturant inside. You can smell some fresh cooked
|
||||
food. It makes you hungry.
|
||||
food.
|
||||
~
|
||||
6 0 0 0 0 0
|
||||
D0
|
||||
|
|
|
|||
Loading…
Add table
Add a link
Reference in a new issue