mirror of
https://github.com/tbamud/tbamud.git
synced 2025-12-22 10:10:13 +01:00
Update for 3.54 release. --Rumble
This commit is contained in:
Rumble
parent
9107040d32
commit
b93379190f
11 changed files with 231 additions and 185 deletions
|
|
@ -4,11 +4,9 @@
|
|||
|
||||
Implementors
|
||||
~~~~~~~~~~~~
|
||||
Detta Rumble
|
||||
|
||||
Greater Gods
|
||||
~~~~~~~~~~~~
|
||||
Zizazat
|
||||
|
||||
Gods
|
||||
~~~~
|
||||
|
|
|
|||
|
|
@ -198,6 +198,20 @@ reason why Kell is so successful. Myrama is truly marvelous!
|
|||
50 2500
|
||||
8 8 2
|
||||
E
|
||||
#29215
|
||||
herbalist shopkeeper~
|
||||
the Herbalist~
|
||||
The herbalist is here, reading to her plants.
|
||||
~
|
||||
The herbalist is an ancient woman, but she still seems spry and sharp-minded
|
||||
when it comes to plants. You've no doubt this woman is an expert in her field.
|
||||
|
||||
~
|
||||
188426 0 0 0 0 0 0 0 500 E
|
||||
23 13 -3 4d4+230 3d3+3
|
||||
230 52900
|
||||
8 8 2
|
||||
E
|
||||
#29216
|
||||
lawyer~
|
||||
the Lawyer~
|
||||
|
|
|
|||
|
|
@ -530,6 +530,32 @@ A small, quick, loyal beagle is here.
|
|||
8 8 0
|
||||
BareHandAttack: 4
|
||||
E
|
||||
#3093
|
||||
rottweiler pets~
|
||||
the rottweiler~
|
||||
A large, loyal rottweiler is here.
|
||||
~
|
||||
The rottweiler looks like a strong, fierce fighter.
|
||||
~
|
||||
16398 0 0 0 0 0 0 0 0 E
|
||||
3 19 8 0d0+30 1d2+0
|
||||
30 900
|
||||
8 8 0
|
||||
BareHandAttack: 4
|
||||
E
|
||||
#3094
|
||||
wolf pets~
|
||||
the wolf~
|
||||
A large, trained wolf is here.
|
||||
~
|
||||
The wolf looks like a strong, fearless fighter.
|
||||
~
|
||||
16398 0 0 0 0 0 0 0 0 E
|
||||
4 19 7 0d0+40 1d2+0
|
||||
40 1600
|
||||
8 8 0
|
||||
BareHandAttack: 4
|
||||
E
|
||||
#3095
|
||||
cryogenicist cryo~
|
||||
the cryogenicist~
|
||||
|
|
|
|||
|
|
@ -124,6 +124,19 @@ A guard is standing watch here.
|
|||
8 8 1
|
||||
BareHandAttack: 10
|
||||
E
|
||||
#709
|
||||
woodswoman~
|
||||
a woodswoman~
|
||||
A woodswoman is looking for a woodsman to nag.
|
||||
~
|
||||
She looks upset about something.
|
||||
~
|
||||
72 0 0 0 8192 0 0 0 0 E
|
||||
7 18 5 1d1+70 1d2+1
|
||||
70 4900
|
||||
8 8 2
|
||||
BareHandAttack: 8
|
||||
E
|
||||
#710
|
||||
messenger~
|
||||
a messenger~
|
||||
|
|
|
|||
|
|
@ -16,7 +16,7 @@ A
|
|||
#3801
|
||||
secret safe~
|
||||
a secret safe~
|
||||
It's a secret safe.~
|
||||
.A hidden safe.~
|
||||
~
|
||||
15 0 0 0 0 0 0 0 0 0 0 0 0
|
||||
100 5 -1 0
|
||||
|
|
|
|||
|
|
@ -26,9 +26,9 @@ Slaive Attack~
|
|||
0 g 100
|
||||
~
|
||||
wait 10s
|
||||
%echoaround% The carcass rises up and plants his dagger in %actor.name%'s back!
|
||||
%echoaround% %actor% The carcass rises up and plants his dagger in %actor.name%'s back!
|
||||
%send% %actor% The corpse of Slaive rises up and plants his dagger in your back!
|
||||
%damage% %actor% 100
|
||||
attack %actor%
|
||||
mkill %actor%
|
||||
~
|
||||
$~
|
||||
|
|
|
|||
|
|
@ -568,19 +568,58 @@ D2
|
|||
~
|
||||
0 0 33
|
||||
E
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
.test~
|
||||
can you see this with look around?
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
old glory flag~
|
||||
|
|
@ -613,58 +652,19 @@ or daughter-I am proud. My name is Old Glory-long may I wave. Dear God, long
|
|||
may I wave.
|
||||
~
|
||||
E
|
||||
war~
|
||||
War is an ugly thing, but not the ugliest of things. The decayed and
|
||||
degraded state of moral and patriotic feeling which thinks that nothing is
|
||||
worth war is much worse. The person who has nothing for which he is willing to
|
||||
fight, nothing which is more important than his own personal safety, is a
|
||||
miserable creature and has no chance of being free unless made and kept so by
|
||||
the exertions of better men than himself.
|
||||
Catcher Rye~
|
||||
The mark of the immature man is that he wants to die nobly for a cause,
|
||||
while the mark of the mature man is that he wants to live humbly for one.
|
||||
--Wilhelm Stekel
|
||||
|
||||
John Stuart Mill
|
||||
~
|
||||
E
|
||||
builder~
|
||||
|
||||
There is one timeless way of building.
|
||||
|
||||
It is thousands of years old, and the same today as it has always been.
|
||||
|
||||
The great traditional buildings of the past, the villages and tents and
|
||||
temples in which man feels at home, have always been made by people who were
|
||||
very close to the center of this way. It is not possible to make great
|
||||
buildings, or great towns, beautiful places, places where you feel yourself,
|
||||
places where you feel alive, except by following this way. And, as you will
|
||||
see, this way will lead anyone who looks for it to buildings which are
|
||||
themselves as ancient in their form, as the trees and hills, and as our faces
|
||||
are.
|
||||
--The Timeless Way of Building
|
||||
~
|
||||
E
|
||||
oath~
|
||||
I do solemnly swear that I will support and defend the Constitution of the
|
||||
United States against all enemies, foreign and domestic, and to bear true faith
|
||||
and allegiance to the same that I take this obligation freely, without any
|
||||
mental reservation or purpose of evasion, and that I will well and faithfully
|
||||
discharge the duties of the office upon which I am about to enter.
|
||||
~
|
||||
E
|
||||
july4~
|
||||
On July 4, 1776, we claimed our independence from England and Democracy was
|
||||
born. Every day thousands leave their homeland to come to the "land of the
|
||||
free and the home of the brave" so they can begin their American Dream. The
|
||||
United States is truly a diverse nation made up of dynamic people. Each year
|
||||
on July 4, Americans celebrate that freedom and indepen-dence with barbecues,
|
||||
picnics, and family ga-therings. Through the Internet we are learning about
|
||||
and communicat-ing with people of different nations, with different languages
|
||||
and different races throughout the world. Bringing the world closer with
|
||||
understanding and knowledge can only benefit all nations. We invite all
|
||||
nations to celebrate with Americans online this Fourth of July. Happy
|
||||
Birthday, America!
|
||||
~
|
||||
E
|
||||
.test~
|
||||
can you see this with look around?
|
||||
...you'll find that you're not the first person who was ever confused and
|
||||
frighteneed and even sickened by human behavior. You're by no means alone on
|
||||
that score, you'll be excited and stimulated to know. Many, many men have been
|
||||
just as troubled morally and spiritually as you are right now. Happily, some
|
||||
of them kept records of their troubles. You'll learn from them-if you want to.
|
||||
Just as someday, if you have something to offer, someone will learn something
|
||||
from you. It's a beautiful reciprocal arrangement.
|
||||
--The Catcher in the Rye
|
||||
~
|
||||
S
|
||||
T 1217
|
||||
|
|
@ -697,7 +697,7 @@ S
|
|||
The Prison Cell Corridor~
|
||||
This long hallway is barely wide enough for two people to walk abreast.
|
||||
Along the Northern wall are steel doors spaced a few feet apart while the
|
||||
southern wall is of cynder block construction.
|
||||
southern wall is of cinder block construction.
|
||||
~
|
||||
0 0 0 0 0 0
|
||||
D1
|
||||
|
|
@ -854,14 +854,14 @@ D2
|
|||
~
|
||||
0 0 98
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
E
|
||||
floor~
|
||||
The stone floor is the same shade of grey as the sky and is completely plain
|
||||
and unscratched. It is probably too hard for anything to leave as much as a
|
||||
scratch on it.
|
||||
~
|
||||
E
|
||||
sky winds~
|
||||
Cold winds plunge ceaselessly at you from the dark, cloudless sky.
|
||||
~
|
||||
S
|
||||
$~
|
||||
|
|
|
|||
|
|
@ -41,17 +41,17 @@ Thank Bob, the hallway is still to the west of here.
|
|||
~
|
||||
0 -1 30299
|
||||
E
|
||||
bars bar ceiling~
|
||||
The bars hanging from the ceiling look quite sturdy and it looks like you
|
||||
could swing on them rather easily... If you were coordinated that is.
|
||||
~
|
||||
E
|
||||
sep~
|
||||
This is Someone Else's Problem. The only way that you are able to spot it is
|
||||
by jumping around and looking like an idiot as you try and avert your eyes so
|
||||
that it can be seen. Unfortunately, seeing it doesn't help. It looks like some
|
||||
sort of Italian Bistro... Rather strange actually.
|
||||
~
|
||||
E
|
||||
bars bar ceiling~
|
||||
The bars hanging from the ceiling look quite sturdy and it looks like you
|
||||
could swing on them rather easily... If you were coordinated that is.
|
||||
~
|
||||
S
|
||||
#30302
|
||||
Hallway~
|
||||
|
|
@ -79,14 +79,14 @@ it.
|
|||
~
|
||||
0 -1 30303
|
||||
E
|
||||
erp! erp~
|
||||
Get it... Elephants Ride Porcupines! ... ERP!
|
||||
~
|
||||
E
|
||||
martian~
|
||||
It's just a joke, you are supposed to smile at the obscure gag hidden in it.
|
||||
It's almost like saying the Elephants Ride Porcupines!
|
||||
~
|
||||
E
|
||||
erp! erp~
|
||||
Get it... Elephants Ride Porcupines! ... ERP!
|
||||
~
|
||||
S
|
||||
#30303
|
||||
Smithville~
|
||||
|
|
@ -149,12 +149,8 @@ S
|
|||
T 30300
|
||||
#30306
|
||||
Really Narrow Stairwell, Part I~
|
||||
This stairwell is just wide enough for one person at a time. If I knew how
|
||||
to make it so that characters could only attack a creature one at a time, I
|
||||
just might do so... But I didn't so feel lucky. It is quite a tight fit
|
||||
trying to navigate the stairs though. The fact that there is an exit to the
|
||||
west blocked by a door doesn't help. The fact that the only other way out is
|
||||
to go up. Not coincidentally, that doesn't help either.
|
||||
This stairwell is just wide enough for one person at a time. A door lies to
|
||||
the west.
|
||||
~
|
||||
303 13 0 0 0 0
|
||||
D3
|
||||
|
|
@ -233,16 +229,16 @@ The bedroom is to the south.
|
|||
~
|
||||
0 -1 30310
|
||||
E
|
||||
couch rocking chair~
|
||||
The flowery pattern makes you recoil in disgust, but other than that it seems
|
||||
to be a normal piece of furniture.
|
||||
~
|
||||
E
|
||||
coffee table~
|
||||
As you look at the coffee table, you notice a copy of the really rude Madonna
|
||||
book... No wait, that was just censored by the Builders. We are allowing none
|
||||
of that smut here. You are disgusted by the flowery pattern on the table.
|
||||
~
|
||||
E
|
||||
couch rocking chair~
|
||||
The flowery pattern makes you recoil in disgust, but other than that it seems
|
||||
to be a normal piece of furniture.
|
||||
~
|
||||
S
|
||||
#30310
|
||||
Bedroom~
|
||||
|
|
@ -262,9 +258,8 @@ The balcony is to the east.
|
|||
~
|
||||
0 -1 30311
|
||||
E
|
||||
bed~
|
||||
You feel sleepy as you look towards this, maybe ... Nope, none of those
|
||||
thoughts here!
|
||||
dresser~
|
||||
Too bad none of the clothes in here fit you at all.
|
||||
~
|
||||
E
|
||||
night-table~
|
||||
|
|
@ -273,8 +268,9 @@ space underneath. The thing that makes it different is that the drawer is empty
|
|||
and the top and empty space are just that. Empty.
|
||||
~
|
||||
E
|
||||
dresser~
|
||||
Too bad none of the clothes in here fit you at all.
|
||||
bed~
|
||||
You feel sleepy as you look towards this, maybe ... Nope, none of those
|
||||
thoughts here!
|
||||
~
|
||||
S
|
||||
#30311
|
||||
|
|
@ -297,9 +293,10 @@ This leads back to a bedroom.
|
|||
~
|
||||
0 -1 30310
|
||||
E
|
||||
cows horses pigs pig cow horse~
|
||||
These are normal farm animals. You aren't quite sure what farm they are on
|
||||
though.
|
||||
frgos~
|
||||
No, this isn't a spelling mistake! It's just a neat little creature that you
|
||||
have never seen before and will probably never see again after this. After all,
|
||||
this is an illusion, or something, isn't it?
|
||||
~
|
||||
E
|
||||
dogs cats cat dog~
|
||||
|
|
@ -307,10 +304,9 @@ dogs cats cat dog~
|
|||
they are where they are.
|
||||
~
|
||||
E
|
||||
frgos~
|
||||
No, this isn't a spelling mistake! It's just a neat little creature that you
|
||||
have never seen before and will probably never see again after this. After all,
|
||||
this is an illusion, or something, isn't it?
|
||||
cows horses pigs pig cow horse~
|
||||
These are normal farm animals. You aren't quite sure what farm they are on
|
||||
though.
|
||||
~
|
||||
S
|
||||
#30312
|
||||
|
|
@ -384,9 +380,10 @@ The hallway leads away from here to the south.
|
|||
~
|
||||
0 -1 30313
|
||||
E
|
||||
computer accessories~
|
||||
This is so large and incomprehensible that you simply do not understand it.
|
||||
|
||||
pictures snow boats walls~
|
||||
The pictures cover the walls completely and you find it difficult to see any
|
||||
of the wall whatsoever between the pictures of snowscapes that you don't
|
||||
recognize and boats that you would love to own.
|
||||
~
|
||||
E
|
||||
cds cd cassettes cassette~
|
||||
|
|
@ -394,10 +391,9 @@ cds cd cassettes cassette~
|
|||
african tribal music to the latest from Neil Young.
|
||||
~
|
||||
E
|
||||
pictures snow boats walls~
|
||||
The pictures cover the walls completely and you find it difficult to see any
|
||||
of the wall whatsoever between the pictures of snowscapes that you don't
|
||||
recognize and boats that you would love to own.
|
||||
computer accessories~
|
||||
This is so large and incomprehensible that you simply do not understand it.
|
||||
|
||||
~
|
||||
S
|
||||
#30315
|
||||
|
|
@ -460,9 +456,13 @@ The hallway extends to the east.
|
|||
~
|
||||
0 -1 30315
|
||||
E
|
||||
stock certificates~
|
||||
They all seem to be immensely valuable but with your awful luck, you can't
|
||||
seem to pry any of them from the walls.
|
||||
news newspapers~
|
||||
It's only the business sections, and they are old. Type NEWS for a more
|
||||
updated edition.
|
||||
~
|
||||
E
|
||||
pizza box~
|
||||
It's about 3 weeks old and seems to be growing mould.... Yech.
|
||||
~
|
||||
E
|
||||
furniture~
|
||||
|
|
@ -470,13 +470,9 @@ furniture~
|
|||
as the table of the future.
|
||||
~
|
||||
E
|
||||
pizza box~
|
||||
It's about 3 weeks old and seems to be growing mould.... Yech.
|
||||
~
|
||||
E
|
||||
news newspapers~
|
||||
It's only the business sections, and they are old. Type NEWS for a more
|
||||
updated edition.
|
||||
stock certificates~
|
||||
They all seem to be immensely valuable but with your awful luck, you can't
|
||||
seem to pry any of them from the walls.
|
||||
~
|
||||
S
|
||||
#30318
|
||||
|
|
@ -493,15 +489,15 @@ The hallway is directly to your north.
|
|||
~
|
||||
0 -1 30315
|
||||
E
|
||||
posters john lennon beatles~
|
||||
The majority of the posters in this room deal with John Lennon but there are
|
||||
a few of Ringo and George also.
|
||||
~
|
||||
E
|
||||
paul~
|
||||
Wait... There's one of Paul... See it? The one with all the darts stuck in
|
||||
it.
|
||||
~
|
||||
E
|
||||
posters john lennon beatles~
|
||||
The majority of the posters in this room deal with John Lennon but there are
|
||||
a few of Ringo and George also.
|
||||
~
|
||||
S
|
||||
#30319
|
||||
Common Room~
|
||||
|
|
@ -523,9 +519,8 @@ way through.
|
|||
door~
|
||||
2 0 -1
|
||||
E
|
||||
door~
|
||||
The door seems to be permanently closed and there does not seem to be a way
|
||||
through.
|
||||
chair chairs couch couches~
|
||||
You don't see any such thing. Read the description.
|
||||
~
|
||||
E
|
||||
fridge stove tv~
|
||||
|
|
@ -533,8 +528,9 @@ fridge stove tv~
|
|||
this magnitude.
|
||||
~
|
||||
E
|
||||
chair chairs couch couches~
|
||||
You don't see any such thing. Read the description.
|
||||
door~
|
||||
The door seems to be permanently closed and there does not seem to be a way
|
||||
through.
|
||||
~
|
||||
S
|
||||
#30320
|
||||
|
|
@ -705,13 +701,13 @@ Well, it's the hallway you entered from... Or is it?
|
|||
~
|
||||
0 -1 30320
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
E
|
||||
letter number lettering numbering order~
|
||||
You aren't too sure that there is an order to the lettering scheme.
|
||||
~
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
S
|
||||
#30327
|
||||
Lecture Hall "A"~
|
||||
|
|
@ -726,13 +722,13 @@ Well, it's the hallway you entered from... Or is it?
|
|||
~
|
||||
0 -1 30321
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
E
|
||||
letter number lettering numbering order~
|
||||
You aren't too sure that there is an order to the lettering scheme.
|
||||
~
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
S
|
||||
#30328
|
||||
Lecture Hall "D"~
|
||||
|
|
@ -747,13 +743,13 @@ Well, it's the hallway you entered from... Or is it?
|
|||
~
|
||||
0 -1 30323
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
E
|
||||
letter number lettering numbering order~
|
||||
You aren't too sure that there is an order to the lettering scheme.
|
||||
~
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
S
|
||||
#30329
|
||||
Lecture Hall "C"~
|
||||
|
|
@ -768,13 +764,13 @@ Well, it's the hallway you entered from... Or is it?
|
|||
~
|
||||
0 -1 30324
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
E
|
||||
letter number lettering numbering order~
|
||||
You aren't too sure that there is an order to the lettering scheme.
|
||||
~
|
||||
E
|
||||
round circle circular curves curve~
|
||||
Yes, it's round.
|
||||
~
|
||||
S
|
||||
#30330
|
||||
Hallway~
|
||||
|
|
|
|||
|
|
@ -1326,12 +1326,12 @@ ACMD(do_load)
|
|||
send_to_char(ch, "Usage: load < obj | mob > <vnum> <number>\r\n");
|
||||
return;
|
||||
}
|
||||
if (!is_number(buf2) || !is_number(buf3)) {
|
||||
if (!is_number(buf2)) {
|
||||
send_to_char(ch, "That is not a number.\r\n");
|
||||
return;
|
||||
}
|
||||
|
||||
if (atoi(buf3) > 0 ) {
|
||||
if (atoi(buf3) > 0 && atoi(buf3) <= 100) {
|
||||
n = atoi(buf3);
|
||||
} else {
|
||||
n = 1;
|
||||
|
|
|
|||
|
|
@ -402,7 +402,7 @@ void page_string(struct descriptor_data *d, char *str, int keep_internal)
|
|||
if (!str || !*str)
|
||||
return;
|
||||
|
||||
if ((GET_PAGE_LENGTH(d->character) < 5 || GET_PAGE_LENGTH(d->character) > 255))
|
||||
if ((GET_PAGE_LENGTH(d->character) < 5 || GET_PAGE_LENGTH(d->character) > 254))
|
||||
GET_PAGE_LENGTH(d->character) = PAGE_LENGTH;
|
||||
d->showstr_count = count_pages(str, d->character);
|
||||
CREATE(d->showstr_vector, char *, d->showstr_count);
|
||||
|
|
|
|||
|
|
@ -488,11 +488,10 @@
|
|||
#define MAX_RAW_INPUT_LENGTH 1024 /* Max size of *raw* input */
|
||||
#define MAX_MESSAGES 60
|
||||
#define MAX_NAME_LENGTH 20
|
||||
/* ** MAX_PWD_LENGTH changed from 10 to 30 for ascii test - Sam ** */
|
||||
#define MAX_PWD_LENGTH 30
|
||||
#define MAX_TITLE_LENGTH 80
|
||||
#define HOST_LENGTH 40
|
||||
#define PLR_DESC_LENGTH 2048
|
||||
#define PLR_DESC_LENGTH 4096
|
||||
#define MAX_SKILLS 200
|
||||
#define MAX_AFFECT 32
|
||||
#define MAX_OBJ_AFFECT 6 /* Used in obj_file_elem */
|
||||
|
|
|
|||
Loading…
Add table
Add a link
Reference in a new issue